Mendelssohn’s Scottish Symphony + Yoonshin Song

Conductor Juraj Valčuha is recognized for his effortless expressiveness and depth of musicianship. With sharp baton technique and natural stage presence, the impressive ease of his interpretations translate even the most complex scores into immersive experiences. His profound understanding of composer and score, taste, and naturally elegant style make him one of the most sought-after conductors of his generation.

Since 2016 Valčuha has been Music Director of the Teatro di San Carlo, Naples and First Guest Conductor of the Konzerthausorchester Berlin. He was Chief Conductor of the Orchestra Sinfonica Nazionale della RAI from 2009 to 2016.

The 2005–06 season marked the start of his international career with exciting concerts on the podium of the Orchestre National de France followed by remarkable debuts in the U.K. with the Philharmonia London, in Germany with the Munich Philharmonic, and in the United States with the Pittsburgh Symphony. His Italian debut took place at Teatro Comunale in Bologna with a sensational production of La Bohème.

He has since led the Berlin Philharmonic, Dresden Staatskapelle, Leipzig Gewandhaus Orchestra, hr Frankfurt Radio Orchestra, Munich Philharmonic, the NDR Elbphilharmonie Hamburg, the Vienna Symphony, Czech Philharmonic, Swedish Radio Symphony, Orchestre de Paris, Orchestre National de France, BBC Symphony, Philharmonia London, Amsterdam Royal Concertgebouw, Rotterdam Philharmonic, Maggio Musicale in Florence, Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, Milan’s Filarmonica della Scala, Montréal Symphony, and NHK and Yomiuri orchestras in Tokyo. His active career in the U.S. has taken him to the orchestras of Boston, Chicago, Cincinnati, Cleveland, Dallas, Indianapolis, Los Angeles, St. Louis, and Utah. He enjoys regular collaborations with orchestras in Houston, Minnesota, New York, Pittsburgh, and San Francisco.

International touring with the Orchestra Sinfonica della RAI took them to the Musikverein in Vienna and the Philharmonie in Berlin, as well as Cologne, Düsseldorf, Zurich, Basel, and Munich, and to the Enesco Festival in Bucharest, and to Abu Dhabi Classics. He has also toured with the Konzerthaus Orchester Berlin to Riga, Vilnius, and Tallinn to mark the 100th anniversary of the Baltic nations.

Valčuha champions the compositions of living composers and aims to program contemporary pieces in most of his concerts. He has conducted world premieres including Christopher Rouses´s Supplica with the Pittsburgh Symphony, Steven Mackey’s violin concerto with Leila Josefowicz and the BBC Symphony in Manchester, and Nico Muhly´s Bright Idea with the Houston Symphony. In 2005 he conducted, in the presence of the composer, Steve Reich´s Four Sections at the Melos-Ethos Festival in Bratislava. Other composers he has supported and continues to follow with interest are Bryce Dessner, Andrew Norman, Luca Francesconi, James MacMillan, and Steven Stucky, among others.

On the opera stage, he has conducted Madama Butterfly, Elisir d‘amore, and Marriage of Figaro at the Bavarian State Opera Munich; Elektra and Turandot at the Deutsche Oper Berlin; Faust and The Love for three oranges in Florence; Jenufa, Peter Grimes, Salome, Tristan und Isolde, and Ariadne auf Naxos in Bologna; Peter Grimes in Venice; and Elektra, Carmen, Bluebeard’s Castle, Die Walküre, The Girl of the Golden West, Lady Macbeth of Mtsensk, Katja Kabanova, and Pique Dame in Napoli.

Juraj Valčuha was awarded the Premio Abbiati 2018 from Italian Music critics in the category Best Conductor.

His engagements in the 2022–23 season will  take him to the Houston, Pittsburgh, and San Francisco Orchestras, the Danish National Symphony Orchestra, the Orchestra dell´Accademia di Santa Cecilia in Rome, and the Orchestre National de France.  He will conduct Verdi´s Don Carlo at Teatro San Carlo in Naples, and La Boheme and Tristan & Isolde at the Bavarian State Opera Munich.

Born in Bratislava, Slovakia, he studied composition and conducting in his birth place, then at the Conservatory in St Petersburg (with Ilya Musin), and, finally, at the Conservatoire Supérieur de la Musique in Paris.

jurajvalcuha.com

Acclaimed as “a wonderfully talented violinist…whose sound and technique go well beyond her years”, violinist Yoonshin Song was born in South Korea, where she began her musical studies at age 5. Making her solo debut with the Seoul Philharmonic at age 11, she has since built a successful performing career internationally.

Yoonshin was appointed as Concertmaster of the Houston Symphony in August 2019. Prior to that she has held the same position with the Detroit Symphony Orchestra for seven seasons. Yoonshin has also served as guest concertmaster of the Budapest Festival Orchestra under Iván Fischer.

Beyond her first chair duties, Yoonshin has performed as a soloist with many orchestras around the world, including the Houston Symphony, the Detroit Symphony Orchestra, the Utah Symphony, the New Mexico Philharmonic Orchestra, the Bayreuth Festival Orchestra, the Paul Constantinescu Philharmonic Orchestra, the Seoul Philharmonic Orchestra, the KBS Philharmonic Orchestra, among many others. The highlights of her 2020-2021 season as a soloist include concertos with the Budapest Festival Orchestra, the Houston Symphony and the New Mexico Philharmonic Orchestra.

She has also participated as a soloist and chamber musician in numerous leading music festivals, including the Marlboro, Deer Valley, Great Lakes, and Aspen Music Festivals in the United States; the Miyazaki Chamber Music Festival in Japan; and the Verbier, Lucerne, and Bayreuth Festivals in Europe.

Yoonshin has earned many prestigious prizes throughout her career, including top prize awards in the Lipizer International Violin Competition in Italy; the Lipinski & Wieniawski International Violin Competition in Poland; the Henry Marteau International Violin Competition in Germany; and first prize at the Stradivarius International Competition in the United States. She studied under the tutelage of Donald Weilerstein at the New England Conservatory and continued her studies with Robert Mann and Glenn Dicterow at the Manhattan School of Music.