Holly Jolly Holiday

An engaging orchestral conductor, award-winning pianist, and passionate educator, Gonzalo Farias is the Associate Conductor of the Houston Symphony. In an ever-changing world, Gonzalo’s desire is to establish music-making as a way of rethinking our place in society by cultivating respect, trust, and cooperation among all people in our community.

Gonzalo Farias served previously as the Associate Conductor of the Kansas City Symphony, the Associate Conductor of the Jacksonville Symphony, the Assistant Conductor of the Virginia Symphony Orchestra, and Conducting Fellow at the Baltimore Symphony Orchestra. Praised by his “clear, engaging” style “with a lyrical, almost Zen-like quality”, Farias has been established “as a focused, musical artist who knows what he wants and how to get it – with grace and substance.” As former Music Director of the Joliet Symphony Orchestra, Farias embraced the city of Joliet and its Hispanic residents of the greater Chicago area with pre-concert lectures, Latin-based repertoire, and a unique side-by-side bilingual narration of Bizet’s Carmen.

Farias was recently selected to conduct at the esteemed Bruno Walter National Conductor Preview, the most important showcase for conductors in America. Designed by the League of American Orchestras, the National Conductor Preview chooses the most promising talents in the world for their podium gift and commitment to the future of American orchestras. Farias was also appointed by the National Endowment for the Arts as a reviewing member for the Grant for Art Projects, judging applications from diverse music institutions to support the latest and most important artistic endeavors in the US.

During the summers, Farias has worked with Jaap Van Zweden and Johannes Schlaefli at the Gstaad Menuhin Festival in Switzerland as well as with Neeme and Paavo Järvi at the Pärnu Music Festival. In the United States, he was a two-time recipient of the prestigious Bruno Walter Memorial Conducting Scholarship at the Cabrillo Music Festival and named “Emergent Conductor” by Victor Yampolsky at the Peninsula Music Festival. He also attended the Pierre Monteux Festival where he received the Bernard Osher Scholar Prize. Out of 566 applicants and 78 countries, he was chosen as one of 24 finalists in the prestigious 2018 Malko Conducting Competition with the Danish National Symphony Orchestra. Hailed by the Gramophone magazine critics, Farias offered one the “most fluent, honest, open-hearted and pointed performances”.

Farias was born in Santiago de Chile, where he began his piano studies at age five. He earned his bachelor’s degree at the P.C. University of Chile and then continued his graduate piano studies at the New England Conservatory as a full-scholarship student of Wha-Kyung Byun and Russell Sherman. He has won first prize at the Claudio Arrau International Piano Competition and awards at the Maria Canals and Luis Sigall Piano Competitions. As a conductor, Farias attended the University of Illinois working with Donald Schleicher, the Peabody Conservatory with Marin Alsop, and worked privately with Larry Rachleff and Otto-Werner Mueller.

Besides having a fond love for piano, chamber, and contemporary music, Farias is a passionate supporter of second-order cybernetics as a way to help understand communication and how complex systems organize, coordinate, and interconnect with one another. This includes the interdependent and recursive nature of musical experiences, in which performers and audiences alike interact, respond, and co-create each other’s space. His final Doctoral thesis “Logical Predictions and Cybernetics” explores the case of Cornelius Cardew’s “The Great Learning” to redefine music activity as a self-organized organization. In addition to that, he has a warm affection for his formal studies of Zen Buddhism, which has been a major influence on his approach to music and life.

A New Orleans native and Grand Finals Winner of the 2021 Metropolitan Opera Laffont Competition, mezzo-soprano Emily Treigle is regarded as “endlessly watchable and a consummate musician.” After being named a 2024 winner of the George and Nora London Foundation Competition, she returned to Wolf Trap Opera for the 2024 season, performing Despina in Così fan tutte, where she was praised for her “uncanny sense of comedic timing” and “magnificent voice.” In the previous season with Wolf Trap Opera, she displayed her “acting range [as] impressive as her vocal one” as Juno/Ino in Semele. An alumna of the Houston Grand Opera Butler Studio, Emily performed numerous roles with the company, including Meg Page in Falstaff, Suzuki in Madama Butterfly, Flora in La traviata, Miss Violet in the world premiere of Another City, Mère Jeanne in Dialogues of the Carmelites, and Gertrude in Romeo and Juliet. She also covered the roles of Donna Elvira in Don Giovanni, Marcellina in Le nozze di Figaro, and Herodias in Salome. She made her first post-studio appearance with the company in Fall 2024 as Tisbe in La Cenerentola.

In the summer of 2022, Emily was a Fleming Artist at the A spen Music Festival. In the summer of 2021, she returned to Wolf Trap Opera as a Studio Artist for a second consecutive season, here she covered the title role in Holst’s Savitri. In 2019, she attended Houston Grand Opera’s Young Artist Vocal Academy and was an Opera Fellow at the Aspen Music Festival where she performed Madame Armfeldt in A Little Night Music. Previous roles include L’enfant in L’enfant et les sortilèges; Bradamante in Alcina; and Mrs. Ott in Susannah, an opera made famous by her grandfather, world-renowned bass-baritone Norman Treigle.

Emily pursued her master of music degree at Rice University’s Shepherd School of Music, where she received her bachelor of music degree in 2020. She is also a graduate of the New Orleans Center for Creative Arts, where she began her vocal training with her mother, Phyllis Treigle.