Songs of the Earth Festival: Mahler The Song Of The Earth

Conductor Juraj Valčuha is recognized for his effortless expressiveness and depth of musicianship. With sharp baton technique and natural stage presence, the impressive ease of his interpretations translate even the most complex scores into immersive experiences. His profound understanding of composer and score, taste, and naturally elegant style make him one of the most sought-after conductors of his generation.

Since 2016 Valčuha has been Music Director of the Teatro di San Carlo, Naples and First Guest Conductor of the Konzerthausorchester Berlin. He was Chief Conductor of the Orchestra Sinfonica Nazionale della RAI from 2009 to 2016.

The 2005–06 season marked the start of his international career with exciting concerts on the podium of the Orchestre National de France followed by remarkable debuts in the U.K. with the Philharmonia London, in Germany with the Munich Philharmonic, and in the United States with the Pittsburgh Symphony. His Italian debut took place at Teatro Comunale in Bologna with a sensational production of La Bohème.

He has since led the Berlin Philharmonic, Dresden Staatskapelle, Leipzig Gewandhaus Orchestra, hr Frankfurt Radio Orchestra, Munich Philharmonic, the NDR Elbphilharmonie Hamburg, the Vienna Symphony, Czech Philharmonic, Swedish Radio Symphony, Orchestre de Paris, Orchestre National de France, BBC Symphony, Philharmonia London, Amsterdam Royal Concertgebouw, Rotterdam Philharmonic, Maggio Musicale in Florence, Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, Milan’s Filarmonica della Scala, Montréal Symphony, and NHK and Yomiuri orchestras in Tokyo. His active career in the U.S. has taken him to the orchestras of Boston, Chicago, Cincinnati, Cleveland, Dallas, Indianapolis, Los Angeles, St. Louis, and Utah. He enjoys regular collaborations with orchestras in Houston, Minnesota, New York, Pittsburgh, and San Francisco.

International touring with the Orchestra Sinfonica della RAI took them to the Musikverein in Vienna and the Philharmonie in Berlin, as well as Cologne, Düsseldorf, Zurich, Basel, and Munich, and to the Enesco Festival in Bucharest, and to Abu Dhabi Classics. He has also toured with the Konzerthaus Orchester Berlin to Riga, Vilnius, and Tallinn to mark the 100th anniversary of the Baltic nations.

Valčuha champions the compositions of living composers and aims to program contemporary pieces in most of his concerts. He has conducted world premieres including Christopher Rouses´s Supplica with the Pittsburgh Symphony, Steven Mackey’s violin concerto with Leila Josefowicz and the BBC Symphony in Manchester, and Nico Muhly´s Bright Idea with the Houston Symphony. In 2005 he conducted, in the presence of the composer, Steve Reich´s Four Sections at the Melos-Ethos Festival in Bratislava. Other composers he has supported and continues to follow with interest are Bryce Dessner, Andrew Norman, Luca Francesconi, James MacMillan, and Steven Stucky, among others.

On the opera stage, he has conducted Madama Butterfly, Elisir d‘amore, and Marriage of Figaro at the Bavarian State Opera Munich; Elektra and Turandot at the Deutsche Oper Berlin; Faust and The Love for three oranges in Florence; Jenufa, Peter Grimes, Salome, Tristan und Isolde, and Ariadne auf Naxos in Bologna; Peter Grimes in Venice; and Elektra, Carmen, Bluebeard’s Castle, Die Walküre, The Girl of the Golden West, Lady Macbeth of Mtsensk, Katja Kabanova, and Pique Dame in Napoli.

Juraj Valčuha was awarded the Premio Abbiati 2018 from Italian Music critics in the category Best Conductor.

His engagements in the 2022–23 season will  take him to the Houston, Pittsburgh, and San Francisco Orchestras, the Danish National Symphony Orchestra, the Orchestra dell´Accademia di Santa Cecilia in Rome, and the Orchestre National de France.  He will conduct Verdi´s Don Carlo at Teatro San Carlo in Naples, and La Boheme and Tristan & Isolde at the Bavarian State Opera Munich.

Born in Bratislava, Slovakia, he studied composition and conducting in his birth place, then at the Conservatory in St Petersburg (with Ilya Musin), and, finally, at the Conservatoire Supérieur de la Musique in Paris.

jurajvalcuha.com

Two-time Grammy Award-winning mezzo-soprano Sasha Cooke has been called a “luminous standout” by The New York Times and “equal parts poise, radiance and elegant directness” by Opera News. She has sung at the Metropolitan Opera, San Francisco Opera, English National Opera, Seattle Opera, Opéra National de Bordeaux, and Gran Teatre del Liceu, among others, and with more than 80 symphony orchestras worldwide frequently in the works of Mahler. This season, marks her appointment at the Music Academy of the West as co-director of the Lehrer Vocal Institute.

Sasha opens the 2022-23 Season with a return to Houston Grand Opera in her role debut as Thirza in the company’s new production of Dame Ethel Smyth’s The Wreckers conducted by Patrick Summers. On the concert stage, she performs throughout the United States and abroad: in Mahler’s Das Lied von der Erde with the Houston Symphony conducted by Juraj Valčuha; Elgar’s The Dream of Gerontius with Wiener Konzerthaus; Michael Tilson Thomas’s Meditations on Rilke with the New York Philharmonic conducted by the composer; Mahler’s Symphony No. 3 with New Zealand Symphony Orchestra alongside Gemma New; and Mozart’s Requiem with the Concertgebouw Orchestra conducted by Klaus Mäkelä and later with Nashville Symphony. She debuts with Orchestra dell’Accademia Nazionale di Santa Cecilia in Mahler’s Symphony No. 3 conducted by Sir Antonio Pappano, and the Utah Symphony in Mendelssohn’s Elijah, which she later performs with NDR Elbphilharmonie Orchestra under the baton of Alan Gilbert.

Also this season, she returns to Chicago Symphony for works by Vivaldi, to Philadelphia Orchestra for Handel’s Messiah and to Kansas City Symphony for Hindemith’s When Lilacs Last in the Dooryard Bloom’d. Special collaborations on the recital stage include Jake Heggie’s Intonations: Songs for the Violins of Hope with Music of Remembrance; recitals with guitarist Jason Vieaux at San Francisco Performances and Round Top Festival; and a recital at Kaufman Music Center, alongside pianist Kirill Kuzmin featuring how do I find you, a collection of words and music created in 2020 that was recorded and released on the Pentatone label in January 2022.

Praised in The New York Times for his “vocal heft, clarion sound and stamina,” by de Volkskrant for a “sublime” voice, in the Financial Times for his “extraordinary energy and stamina,” and heralded by Concerti for having “sung himself into the front row of the hero tenors,” American Clay Hilley appears at the world’s leading opera houses and concert venues in the most challenging heldentenor repertoire.

Clay’s most recent triumph was at the 2022 Bayreuther Festspiele, where he replaced an ailing colleague as Siegfried for the premiere of Valentin Schwarz’s new production of Götterdämmerung, under the baton of Cornelius Meister. On less than 24 hours’ notice, he was flown from his vacation in Italy for this prominent debut, a performance acclaimed by critics and Bayreuth’s audience alike.

The 2022-23 Season sees the tenor in three prominent debuts: with Deutsche Oper Berlin, he sings his first staged production of Tristan und Isolde conducted by Sir Donald Runnicles; at the Festspielhaus Baden-Baden, he assays the role of Der Kaiser in a new production by Lydia Steier of Die Frau ohne Schatten with Kirill Petrenko on the podium of the Berliner Philharmoniker; and he makes a debut at the Royal Opera House, Covent Garden in a new production by Deborah Warner of Wozzeck led by Sir Antonio Pappano. No less impressive is a concert schedule that includes Die Frau ohne Schatten with Kirill Petrenko and the Berliner Philharmoniker at the Philharmonie, Mahler’s Das Lied von der Erde with Stéphane Denève and the Saint Louis Symphony and with Juraj Valčuha and the Houston Symphony, Kodály’s Psalmus Hungaricus with Sir Antonio Pappano and the Accademia Nazionale di Santa Cecilia, and a concert performance of Beethoven’s Fidelio at the Edinburgh International Festival with Sir Donald Runnicles leading The Philharmonia.