Hansel and Gretel & Don Quixote

Sir Donald Runnicles has built his reputation on enduring relationships with major symphonic and operatic institutions on three continents. He is the music director of the Deutsche Oper Berlin and the Grand Teton Music Festival, and has held chief artistic leadership roles at the BBC Scottish Symphony Orchestra, San Francisco Opera, and the Orchestra of St. Luke’s. He is also the principal guest conductor of the Sydney Symphony Orchestra and former principal guest conductor of the Atlanta Symphony Orchestra. Sir Donald was recently appointed as chief conductor of the Dresden Philharmonic, beginning with the 2025-26 Season.

Sir Donald’s 2024-25 Season begins with a 70^th birthday celebration concert at the Edinburgh International Festival conducting the BBC Scottish Symphony, after which he opens the Dresden Philharmonic’s season in his first concerts as chief conductor designate, returning two more times over the course of the season. At the Deutsche Oper, he concludes his Strauss cycle in collaboration with director Tobias Kratzer with a new production of Die Frau ohne Schatten, alongside Arabella and Intermezzo, as well as revival performances of Zemlinsky’s Der Zwerg, Puccini’s La bohème, Wagner’s Tristan und Isolde, Verdi’s Don Carlo, and a symphony concert with the DOB as part of Musikfest Berlin. In North America, he makes guest appearances with the Chicago, Cincinnati, Detroit, Houston, and Pittsburgh symphony orchestras. He also returns twice to the Sydney Symphony.

His extensive discography includes recordings of Wagner’s Tristan and Isolde, Mozart’s Requiem, Orff’s Carmina Burana, Britten’s Billy Budd, Humperdinck’s Hänsel and Gretel, Bellini’s I Capuleti e i Montecchi, Aribert Reimann’s L’invisible, Wagner arias with Jonas Kaufmann (2013 Gramophone prize winner for Best Vocal Recording), and Janáček’s Jenůfa (nominated for a 2016 Grammy award for Best Opera Recording).

Sir Donald Runnicles was born and raised in Edinburgh, Scotland. He was appointed OBE in 2004, and was made a Knight Bachelor in 2020. He holds honorary degrees from the University of Edinburgh, the Royal Scottish Academy of Music and Drama, and the San Francisco Conservatory of Music.

Joan DerHovsepian is the newly appointed Principal Viola of the Houston Symphony after winning the international audition held in May 2023. She first joined the viola section of the Houston Symphony in 1999, hired by Christoph Eschenbach, won the audition for Associate Principal Viola in the fall of 2010 during the tenure of Hans Graf, and now begins serving as Principal with Music Director Juraj Valčuha. Recent solo performances with the Houston Symphony include Mozart Sinfonia Concertante with Concertmaster Yoonshin Song in October 2022 and Bruch Double Concerto with Principal 2nd Violin MuChen Hsieh in March 2022. Joan was formerly Principal Viola of the Charleston Symphony Orchestra and has appeared as guest principal viola with the Chicago and Cincinnati symphonies.

Joan is Artist Teacher of Viola at Rice University’s Shepherd School of Music, instructing students in viola orchestral repertoire and independent study. Students who have come through her course have gone on to win positions in the Cincinnati Symphony, Colorado Symphony, Dallas Symphony, Fort Worth Symphony, Houston Symphony, Metropolitan Opera, Minnesota Orchestra, National Arts Center Orchestra, National Symphony, North Carolina Symphony, Orchestre de la Suisse Romande, Pittsburgh Symphony, Royal Concertgebouw Orchestra, San Diego Symphony, Washington National Opera, among others. She is regular guest faculty for the New World Symphony and has given masterclasses in the study of orchestral excerpts for viola students of the Juilliard School, the New England Conservatory and the University of Melbourne Conservatorium.

Recent festival and chamber music appearances include the Seattle Chamber Music Society, Mainly Mozart Festival, Grand Teton Music Festival, Mimir Chamber Music Festival (Ft. Worth TX and Melbourne Australia), Music in Context, Peninsula Music Festival, National Orchestral Institute and Lake Lure Chamber Music Festival.

She was the violist of the award winning Everest Quartet, top prize winners at the Banff International String Quartet Competition and the Fischoff Chamber Music Competition. Joan was the second prize recipient of the Primrose International Viola Competition. She attended the Eastman School of Music studying with violist James Dunham, and the Hochschule für Musik in Freiburg Germany, with violist Kim Kashkashian.

Critics have described American cellist Brinton Averil Smith as a “virtuoso cellist with few equals,” hailing him as “a proponent of old-school string playing such as that of Piatigorsky and Heifetz.” Gramophone praised Brinton in his debut recording of Miklós Rózsa’s Cello Concerto as a “hugely eloquent, impassioned soloist,” writing “The sheer bravura of Smith’s reading is infectious.” BBC Music magazine wrote of his recent Naxos recording of Mario Castelnuovo-Tedesco’s Cello Concerto, “his is a cast iron technique of verve and refinement put entirely at the service of the music… The artistry on display here is breathtaking,” while David Hurwitz of Classics Today wrote, “Smith plays the living daylights out of it. His full tone, impeccable intonation, and fleet passage work–never for a moment ungainly or stressed–lets the music soar.” Gramophone also wrote of Smith’s most recent Naxos recording, Exiles in Paradise, which explores the rich legacy of the émigré composers who gathered in Hollywood in the mid-20th century, “Smith plays the bejesus out of it, making child’s play of the rapid-fire spiccatos and almost impossible-to-control harmonics. …and teems with old-school elegance and just the right dose of schmaltz.”

Brinton’s North American engagements have included performances at Carnegie Hall, Lincoln Center, and recital and concerto engagements throughout the country, while his broadcast performances include CBS’s Sunday Morning and regular appearances on NPR’s Performance Today and Symphonycast. He has appeared regularly as a soloist with the Houston Symphony since joining the orchestra as principal cellist in 2005. Prior to this, he was the first musician chosen by Lorin Maazel to join the New York Philharmonic and the principal cellist of the Fort Worth and San Diego Symphony Orchestras. His live concert performances on YouTube have been viewed more than one million times, including more than 250,000 views of a live encore of Paganini’s 24th Caprice. Devoted to expanding the cello repertoire, Brinton performs a wide variety of violin, piano, and vocal transcriptions, and gave the North American premiers of rediscovered cello works of Jean Sibelius and Alexander Zemlinsky as well as the world premiere of Castelnuovo-Tedesco’s Sonata for violin and cello. He also gave the first professional performance of Castelnuovo-Tedesco’s cello concerto since its 1935 premiere with Arturo Toscanini and Gregor Piatigorsky.

An active chamber musician, Brinton has collaborated with violinist Gil Shaham on numerous occasions, including Carnegie Hall’s Gil Shaham and Friends series. He has also collaborated with cellists Yo-Yo Ma and Lynn Harrell; pianists Yefim Bronfman, Emanuel Ax, Jeffrey Kahane, and Kirill Gerstein; violinists James Ehnes, Cho-Liang Lin, and Sarah Chang; soprano Dawn Upshaw; and members of the Beaux Arts Trio; and the Guarneri, Emerson, Juilliard, Cleveland, and Berg quartets. He has performed with the Chamber Music Society of Lincoln Center, the Marlboro Music Festival, the Aspen Music Festival, the Sarasota Music Festival, the Seattle Chamber Music Society, the Mainly Mozart Festival, the Brevard Music Festival, and the Texas Music Festival. Brinton is currently an associate professor at the Shepherd School of Music at Rice University and a faculty member of the Aspen Music Festival.

The son of a mathematician and a pianist, Brinton Averil Smith was admitted to Arizona State University at age 10, where he took courses in mathematics and German and, at age 17, completed a B.A. in mathematics. He then became a student of Eleonore Schoenfeld at the University of Southern California, where he was also a teaching assistant in the mathematics department, and completed work for an M.A. in mathematics at age 19. He subsequently studied with the legendary cellist Zara Nelsova at The Juilliard School. While there, he was a prize winner in several consecutive Juilliard concerto competitions and the Leonard Rose International Cello Competition and received a doctor of musical arts degree, writing on the playing of Emanuel Feuermann. Brinton lives in Houston with his wife, the pianist Evelyn Chen, and their enormous but benevolent dog. Their daughter, Calista, is a soprano studying at Northwestern University. His cello was made by Gaetano Pasta in Brescia, c.1710.

Visit www.brintonaverilsmith.com