Fiesta Sinfónica

An engaging orchestral conductor, award-winning pianist, and passionate educator, Gonzalo Farias is the Associate Conductor of the Houston Symphony. In an ever-changing world, Gonzalo’s desire is to establish music-making as a way of rethinking our place in society by cultivating respect, trust, and cooperation among all people in our community.

Gonzalo Farias served previously as the Associate Conductor of the Kansas City Symphony, the Associate Conductor of the Jacksonville Symphony, the Assistant Conductor of the Virginia Symphony Orchestra, and Conducting Fellow at the Baltimore Symphony Orchestra. Praised by his “clear, engaging” style “with a lyrical, almost Zen-like quality”, Farias has been established “as a focused, musical artist who knows what he wants and how to get it – with grace and substance.” As former Music Director of the Joliet Symphony Orchestra, Farias embraced the city of Joliet and its Hispanic residents of the greater Chicago area with pre-concert lectures, Latin-based repertoire, and a unique side-by-side bilingual narration of Bizet’s Carmen.

Farias was recently selected to conduct at the esteemed Bruno Walter National Conductor Preview, the most important showcase for conductors in America. Designed by the League of American Orchestras, the National Conductor Preview chooses the most promising talents in the world for their podium gift and commitment to the future of American orchestras. Farias was also appointed by the National Endowment for the Arts as a reviewing member for the Grant for Art Projects, judging applications from diverse music institutions to support the latest and most important artistic endeavors in the US.

During the summers, Farias has worked with Jaap Van Zweden and Johannes Schlaefli at the Gstaad Menuhin Festival in Switzerland as well as with Neeme and Paavo Järvi at the Pärnu Music Festival. In the United States, he was a two-time recipient of the prestigious Bruno Walter Memorial Conducting Scholarship at the Cabrillo Music Festival and named “Emergent Conductor” by Victor Yampolsky at the Peninsula Music Festival. He also attended the Pierre Monteux Festival where he received the Bernard Osher Scholar Prize. Out of 566 applicants and 78 countries, he was chosen as one of 24 finalists in the prestigious 2018 Malko Conducting Competition with the Danish National Symphony Orchestra. Hailed by the Gramophone magazine critics, Farias offered one the “most fluent, honest, open-hearted and pointed performances”.

Farias was born in Santiago de Chile, where he began his piano studies at age five. He earned his bachelor’s degree at the P.C. University of Chile and then continued his graduate piano studies at the New England Conservatory as a full-scholarship student of Wha-Kyung Byun and Russell Sherman. He has won first prize at the Claudio Arrau International Piano Competition and awards at the Maria Canals and Luis Sigall Piano Competitions. As a conductor, Farias attended the University of Illinois working with Donald Schleicher, the Peabody Conservatory with Marin Alsop, and worked privately with Larry Rachleff and Otto-Werner Mueller.

Besides having a fond love for piano, chamber, and contemporary music, Farias is a passionate supporter of second-order cybernetics as a way to help understand communication and how complex systems organize, coordinate, and interconnect with one another. This includes the interdependent and recursive nature of musical experiences, in which performers and audiences alike interact, respond, and co-create each other’s space. His final Doctoral thesis “Logical Predictions and Cybernetics” explores the case of Cornelius Cardew’s “The Great Learning” to redefine music activity as a self-organized organization. In addition to that, he has a warm affection for his formal studies of Zen Buddhism, which has been a major influence on his approach to music and life.

Undoubtedly the most virtuoso guitarist of his generation, Pablo Sainz-Villegas has been acclaimed by the international press as the successor to Andrés Segovia and a world ambassador of Spanish culture. He is the first solo guitarist to perform at Carnegie Hall since Maestro Andrés Segovia did so in 1983, the first to play with the Chicago Symphony Orchestra since 2001, and the first to perform with the Berliner Philharmoniker at the New Year’s Eve Gala since 1983.

Since his debut with the New York Philharmonic, he has performed in more than 40 countries and with orchestras such as the Israel Philharmonic, Philadelphia Orchestra, San Francisco Symphony, Zurich Tonhalle Orchestra, and the National Orchestra of Spain, as well as in venues such as the Tchaikovsky Concert Hall in Moscow, the Musikverein in Vienna, the Concertgebouw in Amsterdam, the National Centre for the Performing Arts in Beijing, and the Suntory Hall in Tokyo, among others.

Pablo’s most notable milestones include the Princess of Asturias Awards Concert and his participation in the Metropolitan Opera Gala last May at the Palace of Versailles. His numerous performances at the Santiago Bernabéu Stadium in Madrid, which captivated more than 85,000 attendees, as well as concerts held in distinguished venues such as Chicago’s Grant Park, Lisbon’s Praça do Comércio, and the Hollywood Bowl, have made him one of this generation’s most prolific performers.

As a socially committed artist, he founded the U.S. non-profit association Strings in Common. He is also the creator and artistic director of the La Rioja Festival in Spain.

An exclusive artist for SONY Classical, Pablo has released three albums. His latest project, The Blue Album, was released in 2023.

Highlights of his 2024-25 Season include the premier of Arturo Márquez’s Guitar Concerto; a Colombian tour with the National Orchestra of Spain; a solo tour in Taiwan; performances at Teatro Real of Madrid, Carnegie Hall, and Hollywood Bowl; and with orchestras such as Brussels Philharmonic, LA Philharmonic, and Orchestre de la Suisse Romande, among others.

Pablo was born in La Rioja, Spain, and has lived in the United States since 2001.