Cirque Rocks!

Jason Seber is known for his inviting and engaging approach on and off the podium. A strong believer in the eclectic experiences that today’s symphony orchestras offer their communities, he strives to make music of many genres and styles accessible, relevant, and meaningful to diverse audiences across the country.

Seber has conducted many leading American orchestras, including the Colorado, Detroit, Houston, Indianapolis, Kansas City, Milwaukee, Nashville, National, San Diego, and St. Louis Symphonies; the Louisville and Minnesota Orchestras; the Cincinnati Pops; and the Buffalo Philharmonic, among others. Upcoming performances include debuts with the North Carolina Symphony, Baltimore Symphony, and Phoenix Symphony. Seber has conducted more than 20 full-feature films and has had the pleasure of performing with a wide range of artists, including Patti Austin, Mason Bates, Andrew Bird, Boyz II Men, Jinjoo Cho, Melissa Etheridge, Ben Folds, Cody Fry, Renee Elise Goldsberry, Indigo Girls, Paul Jacobs, Wynonna Judd, Lyle Lovett, Katharine McPhee, Natalie Merchant, Brian Stokes Mitchell, My Morning Jacket, Leslie Odom Jr., Aoife O’Donovan, Pink Martini, Ben Rector, Stephen Schwartz, Doc Severinsen, Conrad Tao, Bobby Watson, and Joyce Yang.

Seber served as associate conductor of the Kansas City Symphony from 2016 to 2022. In this position, he led the Symphony in more than 300 performances on the Classical, Pops, Classics Uncorked, Family, Film + Live Orchestra, Education, and Christmas Festival series. He also served as co-host for the Symphony’s podcast, “Beethoven Walks into a Bar.” Prior to Kansas City, he was the education and outreach conductor at the Louisville Orchestra from 2013 to 2016 and music director of the Louisville Youth Orchestra from 2005 to 2016.

A passionate advocate for music education, Seber has led the Honors Performance Series Orchestra in concert at Carnegie Hall, Sydney Opera House, and Royal Festival Hall in London. He is a frequent guest conductor of the National Repertory Orchestra each summer, and he has served as the All-State Orchestra conductor for Georgia, Kansas, Missouri, and Pennsylvania.

Dan Domenech’s versatile vocals have been heard in 49 states and eight countries. From starring on Broadway to touring with productions like the Tony Award-winning musical RENT, Wonderland, Sister Act, Rock of Ages, and Kinky Boots, Domenech has made his mark as one of the industry’s leading men.

In concert, his recent and upcoming performances include the Houston Symphony, Grant Park Music Festival, Cleveland Pops, Virginia Symphony, Evansville Symphony, Youngstown Symphony Orchestra, Missouri Symphony, Fremont Symphony, Lansing Symphony, Orchestra Kentucky, Terre Haute Symphony, Gulf Coast Symphony, and Heartland Festival Orchestra; the orchestral powerhouse Rocktopia; and Nederlander Worldwide’s production of Broadway Rox. Domenech has worked with composers Tom Kitt, Laurence O’Keefe, Frank Wildhorn, and Alan Menkin on new productions in development and currently on Broadway.

Domenech has made guest appearances on Glee (Fox), Gotham (Fox), and Viva Laughlin (CBS); consulted on The Oscars, Emmy’s, Kids Choice Awards; and worked with directors Ben Stiller, Brett Ratner, Ivan Reitman, and Adam McKay on several films in Los Angeles.

Chloe Lowery is an American singer/dancer/actress/songwriter born in Largo, Florida. By age nine, she was performing professionally at corporate events, and by age 12, she was signed to RCA Records. She was featured on two movie soundtracks during that time, Boys and Girls and Joe Somebody.

While honing her crafts at prestigious music and acting schools in Boston and New York, Lowery toured with Big Brother and the Holding Company filling Janis Joplin’s shoes. She simultaneously worked with world-renowned producer Ric Wake that led to her collaboration with Yanni. She lent her vocals and songwriting talents to the 2009 Yanni Voices Project produced by the Disney Pearl Imprint. She was featured on PBS as a featured artist in Yanni Voices Live from Acapulco. Her most successful performance/release, “Change,” quickly became a fan favorite. After U.S. and Mexico tours with Yanni, she was signed to Disney/Hollywood Records as a solo artist. She has since been featured on his releases: Truth of Touch, Inspirato, and Sensuous Chill as vocalist and songwriter.

In 2010, Lowery joined multi-platinum selling rock band, Trans-Siberian Orchestra performing as Theresa on its Beethoven’s Last Night Tours. She joined the winter tour in 2011 to rave reviews for her renditions of “For the Sake of Our Brother” (“Oh Come all Ye Faithful”), “Prince of Peace,” and “Music Box Blues.” She continues to work with TSO on stage and in the studio. She has toured with Chris Botti, performed with the New York City Ballet as a featured vocalist, and contributed her songwriting talents for artists like Everclear.

In 2018, Lowery made her Broadway debut in Rocktopia; she toured the project and was part of its acclaimed PBS special. Other credits include: Trans-Siberian Orchestra Live at Wacken and Winter Tours, featured vocalist on Joel Hoekstra’s 13 album, featured artist on Phantasma’s The Deviant Hearts album, lead vocalist in The Rock Tenor, Broadway Rox, The Music of Queen, CHAMELEON, Forbidden Saints, Friends @ Nokia L.A. Live, and many more. In 2019, she released her acclaimed debut solo album, The In-Between, and in 2023, she released her single, “Girls Like Me” in to rave reviews.  www.chloelowery.com

Cirque de la Symphonie is an exciting production that brings the magic of cirque to the music hall. For more than 10 years, it has thrilled and bedazzled veteran concertgoers and new patrons as they experience accomplished aerial flyers, acrobats, contortionists, dancers, jugglers, balancers, and strongmen perform to live symphony music.

Performers include world record holders, international competition gold-medal winners, Olympians, and some of the most experienced cirque talent ever seen. Their routines are uniquely adapted to stage accommodations shared with the symphony, and each artist’s performance is choreographed to the music arranged in collaboration with the conductor. When the artists of Cirque de la Symphonie perform in front of the full orchestra, an incredible fusion of these two great art forms takes place. The aerialists and acrobats turn the concert into a three-dimensional entertainment extravaganza, and the musicians’ enthusiasm is palpable.