Steven Reineke is one of North America's leading conductors of popular music and is in his second decade as Music Director of The New York Pops at Carnegie Hall. He is the Principal Conductor and Artistic Advisor of the National Symphony Orchestra (NSO) at the John F. Kennedy Center for the Performing Arts and Principal Pops Conductor of the Houston and Toronto Symphony Orchestras.

Reineke is a frequent guest conductor and can be seen on the podium with the Chicago, Philadelphia, and Detroit Symphony Orchestras.

On stage, Mr. Reineke creates and collaborates with a range of leading artists in hip-hop, R & B, Broadway, television, and rock including Killer Mike, Maxwell, Common, Kendrick Lamar, Nas, Ne-Yo, Bob Weir, Trey Anastasio, Barry Manilow, Cynthia Erivo, Ben Rector, Cody Fry, Sutton Foster, Amos Lee, Dispatch, Jason Mraz, and Ben Folds, amongst others. In 2024, he led the NSO on PBS’ Next at the Kennedy Center featuring Ben Folds DeClassified with Jacob Collier, Laufey, and dodie. He was previously seen with the NSO on PBS’ Great Performances with hip-hop legend Nas performing his seminal album “Illmatic." Reineke is the conductor on “Ben Folds Live with The National Symphony Orchestra and William Shatner’s “So Fragile, So Blue” with The National Symphony Orchestra.

As the creator of hundreds of orchestral arrangements, Reineke’s work is performed worldwide and can be heard on numerous Cincinnati Pops Orchestra recordings. His symphonic works “Celebration Fanfare,” “Legend of Sleepy Hollow,” and “Casey at the Bat” are performed frequently in North America, including performances by the New York Philharmonic and Los Angeles Philharmonic. His “Sun Valley Festival Fanfare” was used to commemorate the Sun Valley Summer Symphony’s pavilion, and his pieces “Festival Te Deum” and “Swan’s Island Sojourn” were debuted by the Cincinnati Symphony and Cincinnati Pops Orchestras. His numerous wind ensemble compositions are published by the C.L. Barnhouse Company and are performed by concert bands perennially.

A native of Ohio, Reineke is a graduate of Miami University of Ohio (2020 Alumnus Distinguished Achievement Medal) where he earned Bachelor of Music degrees with honors in both trumpet performance and music composition. He currently resides in New York City with his husband Eric Gabbard.

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Conductor, Composer, and Producer Anthony J. Maglione is Director of Choral Studies at the University of Houston and Director of the Houston Symphony Chorus. He joins the Moores School of Music faculty from William Jewell College in Liberty, Missouri, where he was the Director of Choral Studies and held the Robert H. McKee Chair of Music. Choirs under his direction have appeared at state, regional, and national conventions, released internationally-distributed commercial recordings, and have twice been named “Runner Up” for the American Prize in Choral Performance, College/University Division. A frequent collaborator, he has prepared choirs for performances with the American Spiritual Ensemble, Boston Camerata, The Canadian Brass, Joyce DiDonato, Kansas City Chamber Orchestra, Kansas City Civic Orchestra, The King’s Singers, Kings Return, and the Mark Morris Dance Group.

An often-performed and commissioned composer with a growing national reputation, Maglione’s music has appeared at state, regional, and national-level conventions, on TV, in video games, and has been recorded on Albany Records, Centaur Records, GIA Choral Works, and Gothic Records. Several of his choral works are published on James Jordan’s “Evoking Sound” choral series through GIA Publications as well as “The Amanda Quist Signature Choral Series” on Gentry Publications. In 2018, Maglione’s cantata for soloists, choir, and orchestra, The Wedding of Solomon, premiered at the American Guild of Organists National Convention. The Miami University Men’s Glee Club premiered Maglione’s On Life at the 2019 National ACDA Conference. In early 2020, Verdigris Ensemble premiered his extended dramatic work Dust Bowl as part of the AT&T Performing Arts Center’s Elevator Project in Dallas, Texas. Dust Bowl was recently revised and performed again in 2024 at the Wyly Theatre in Dallas through funding in-part from the National Endowment of the Arts. From 2023 to 2025, Maglione served as Composer-In-Residence with Te Deum, a professional choir based in Kansas City.

As a producer, Maglione lends his ears to recording projects around the country and recently received national attention through his production work with Sam Brukhman and Verdigris Ensemble on Betty’s Notebook  by composer Nicholas Reeves. This ground-breaking, programmable art music is the first of its kind and the first to be sold using blockchain technology.

As a tenor, Maglione has appeared with renowned organizations such as Artefact Ensemble, Cappella Romana, Kansas City Baroque Consortium, Kantorei KC, The Same Stream, The St. Tikhon Choir, Sunflower Baroque, and Spire Chamber Ensemble.

A sought-after clinician and frequent guest conductor, Maglione teaches workshops and has conducted All-State and honor choirs in California, Kansas, Mississippi, Missouri, New Mexico, New Jersey, New York, and Pennsylvania. He holds degrees from Westminster Choir College of Rider University, East Carolina University, and the University of California, Los Angeles.

The Houston Symphony Chorus is the official choral unit of the Houston Symphony and consists of highly skilled and talented volunteer singers. Over the years, members of this historic ensemble have learned and performed the world’s great choral orchestral masterworks under the batons of Juraj Valčuha, Andrés Orozco Estrada, Hans Graf, Christoph Eschenbach, Robert Shaw, and Helmuth Rilling, among many others.

In addition, the Chorus enjoys participating in the Houston Symphony’s popular programming under the batons of conductors such as Steven Reineke and Michael Krajewski. Recently, the ensemble sang the closing subscription concerts with the Prague Symphony Orchestra in the Czech Republic. Singers are selected for specific programs for which they have indicated interest. A singer might choose to perform in all 45 concerts, as was the case in a recent season, or might elect to participate in a single series. The Houston Symphony Chorus holds auditions by appointment and welcomes inquiries from interested singers.