Hitting High Notes with Houston Symphony Chorus Member Kat White, alto

From Mozart’s Requiem and Verdi’s Requiem, to our Mahler 3 season finale, the Houston Symphony Chorus has played an integral role in many of our 2014-15 Season concerts. This coming Sunday, May 31, the Chorus will shine on its own—they will be featured without the orchestra, and will perform works by Handel, J. S. Bach, … Continued

Apocalyptic Vision: The Secret Meaning of Saint-Saëns’ Organ Symphony

Ever since its London premiere in 1886, Saint-Saëns’ Symphony No. 3 (nicknamed “the Organ Symphony” for the prominent role that instrument plays in it) has been one of the most popular symphonies in the repertoire. It is one of those rare works that instantly entered the canon of masterpieces and has remained there ever since. … Continued

Apocalyptic Vision: The Secret Meaning of Saint-Saëns’ Organ Symphony

Ever since its London premiere in 1886, Saint-Saëns’ Symphony No. 3 (nicknamed “the Organ Symphony” for the prominent role that instrument plays in it) has been one of the most popular symphonies in the repertoire. It is one of those rare works that instantly entered the canon of masterpieces and has remained there ever since. … Continued

Ohlsson Talks Chopin – Q&A with Garrick Ohlsson

This weekend, the Houston Symphony welcomes acclaimed pianist Garrick Ohlsson back to Jones Hall for performances of Chopin’s Piano Concerto No. 1. Recently, I got to ask Garrick a few questions about what it’s like to play this masterpiece. The following has been transcribed and edited from a phone interview. Calvin Dotsey: How would you … Continued

Jennifer Higdon Comes to Houston

Jennifer Higdon’s path to a Pulitzer Prize and Grammy began with a pawn-shop flute . And she didn’t even pick that up until she was 15 years old. “It’s kind of stunning to think about the trajectory. I got a very late start,” Higdon says. Higdon will come to Jones Hall April 17-19, when Robert … Continued

Discover the Secrets of Verdi’s Requiem

Here’s a riddle for you: Giuseppe Verdi’s Requiem, one of the most beloved of all choral works, came from a composer who wanted nothing to do with God or organized religion. Why would he write a massive sacred work? How could the result be so eloquent? Let’s let Verdi and those near him tell the … Continued

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