The Houston Symphony is excited to announce that the Dutch label Pentatone has released a new recording featuring Andrés Orozco-Estrada and the orchestra: Music of the Americas. Recorded over the course of two concert weekends in early 2017, the album brings together 20th century composers from North and South America with four lively, dance-inspired works, … Continued
In January 1934, Dmitri Shostakovich scored one of the biggest triumphs of his career with the premiere of Lady Macbeth of the Mtsensk District, a work official critics hailed as the first great Soviet opera. Based on a nineteenth-century novella by Leskov, it follows the misadventures of Katerina, the illiterate wife of a well-to-do country … Continued
The year following Leonard Bernstein’s legendary debut as a conductor with the New York Philharmonic was one of seemingly miraculous success for the 25-year-old musician. After filling in for an ailing Bruno Walter on November 14, 1943, he became one of America’s most sought-after guest conductors, and by April he was conducting the premiere of … Continued
Culture wars, political dysfunction and rising ethnic tensions—these were the problems that plagued Austria-Hungary in the 1880s, and the Czech composer Antonín Dvořák would be caught in the cross-hairs. The immediate problems of the 1880s had deep roots, however; for centuries, Czech lands had been ruled by the Austrian Hapsburg monarchy, and Czech peoples were often relegated … Continued
Orchestra musicians love touring. The notion that the orchestra is building bridges, making connections, drawing together a diversity of people through music—while also enjoying ovations, sightseeing, history, and culture—make tours a memorable part of any musician’s career. For a while, every musician is removed from everyday concerns—laundry, dishes, what’s for dinner, traffic—and can really focus … Continued
February 2, 3 and 4, percussion rock star Colin Currie joins the Houston Symphony to perform American composer John Corigliano’s Conjurer for Percussion, Strings (and optional Brass). Who could provide a better introduction to this landmark percussion concerto than the composer himself? He did just that at a lecture at the University of British Columbia … Continued