Handel’s Messiah

The Houston Symphony Chorus is one of Houston’s oldest and most distinguished musical organizations.

Over the years, the Chorus has sung with dozens of the world’s most notable conductors, including Andrés Orozco-Estrada, Steven Reineke, Michael Krajewski, Robert Shaw, André Previn, Leopold Stokowski, Christoph Eschenbach, Sir John Barbirolli, Ferenc Fricsay, Lawrence Foster, and Hans Graf, to name only a very few.

In addition to performances in Jones Hall, the Symphony’s home venue, the Chorus has also delighted audiences in various concert halls throughout the United States, Europe, and Mexico.

Recent reactions to its performances include:

Classical/Chorus: “…beautifully balanced, modulated sound that seamlessly blended with the orchestra.”
—Review of A German Requiem, Houston Chronicle, May 8, 2018

Classical/Chorus: “… the chorus was magnificent.”
—Review of Stabat Mater, Houston Chronicle, September 27, 2018

The Chorus consists entirely of volunteer singers who have considerable musical skill, vocal talent, and choral experience. They audition for placement each year.  The Chorus performance schedule is possibly the busiest in the country, consisting of up to fourteen different sets of repertoire for a total of 45 concerts.
The Chorus has enjoyed the leadership of seven directors: Alfred Urbach (1946–1986), A. Clyde Roller (1967–1968), Wayne Bedford (1968–1969), Don Strong (1969–1977), Virginia Babikian (1977–1986), Charles Hausmann (1986–2014), and Dr. Betsy Cook Weber (2014–2022).  Because of Dr. Hausmann’s extraordinarily long service, he was named Director Emeritus upon his retirement.

Over the years, the Chorus has sung with dozens of the world’s most notable conductors, including Andrés Orozco-Estrada, Steven Reineke, Michael Krajewski, Robert Shaw, André Previn, Leopold Stokowski, Christoph Eschenbach, Sir John Barbirolli, Ferenc Fricsay, Lawrence Foster, and Hans Graf, to name only a very few.

In addition to performances in Jones Hall, the Symphony’s home venue, the Chorus has also delighted audiences in various concert halls throughout the United States, Europe, and Mexico.

Recent reactions to its performances include:

Classical/Chorus: “…beautifully balanced, modulated sound that seamlessly blended with the orchestra.”
—Review of A German Requiem, Houston Chronicle, May 8, 2018

Classical/Chorus: “… the chorus was magnificent.”
—Review of Stabat Mater, Houston Chronicle, September 27, 2018

The Chorus consists entirely of volunteer singers who have considerable musical skill, vocal talent, and choral experience. They audition for placement each year.  The Chorus performance schedule is possibly the busiest in the country, consisting of up to fourteen different sets of repertoire for a total of 45 concerts.