I <3 NYC: Gershwin's "I Got Rhythm" Variations

On May 9, 11, and 12, the Houston Symphony presents award-winning American pianist George Li in not one, but two virtuoso works for piano and orchestra. In this post, discover how the first of these pieces, George Gershwin’s delightful “I Got Rhythm” Variations, paints a picture of contemporary New York in sound. Get tickets and … Continued

Let Heaven and Nature Sing: Ives’ Symphony No. 4, Part II

On January 24, 26 and 27, Music Director Andrés Orozco-Estrada and the Houston Symphony continue their exploration of Charles Ives’ Fourth Symphony. In this post, discover the traditional protestant hymns that inspired the serene third movement of this watershed symphony. Get tickets and more information here. Ives’ Fourth Symphony is his crowning achievement, the summation … Continued

A Classical Veterans Day Playlist

Celebrate Veterans Day the classical way with this playlist of great American music. We hope this selection of familiar favorites and hidden gems brings the joy of music to your day. If you like having the freedom to listen to whatever music you want—thank a veteran! Copland: Lincoln Portrait Composed in 1942, Copland’s Lincoln Portrait … Continued

5 Fun Facts: An American in Paris

How often does a piece of classical music inspire an Academy Award-winning Hollywood musical? If you can think of an example other than An American in Paris, please let us know. The Houston Symphony plays this classic film’s soundtrack live-to-picture on November 9, 10 and 11. Get ready for this spectacular presentation with these fun … Continued

Highway to Hell: Ives’ Symphony No. 4, Part I

Though he would live several decades more, Charles Ives stopped composing entirely by 1927. Many have speculated as to why, but the ultimate reason for his silence remains a mystery. His last symphony was thus one of his final works. Begun around 1910, Ives labored over it for many years, refining and altering the score … Continued

A Greek Riddle: Bernstein’s Serenade (after Plato’s Symposium)

Many have accused Bernstein of pretentiousness in associating his Serenade with Plato’s Symposium, suggesting that he merely tacked on the highfalutin subtitle after he had already composed it. Critics typically cite discrepancies between Plato’s classic and the Serenade, arguing that one has little to do with the other: compared with Plato’s book, the movements are … Continued

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