Feb. 28 & Mar. 1
Wagner’s Tristan and Isolde
About This Concert
In Wagner’s groundbreaking opera Tristan and Isolde, a romance for the ages plays out through some of the most revelatory and transcendent music ever written. Act II of this masterpiece has it all—searing passion, spellbinding drama, and staggering vocal feats. Experience the complete second act live in concert, performed by an all-star cast of singers and the Symphony, and hear why Tristan and Isolde is considered one of the greatest works of art ever created.

What To Expect?
Spellbinding passion, heart-wrenching drama, and soul-searing vocals: Experience one of opera’s most emotionally intense love stories
When Tristan and Isolde first premiered, its bold, innovative musical language was unlike anything ever heard before. Experience the revolutionary work that, quite literally, changed the course of music.
Perfect for a dramatic date night—immerse yourself in the epic love story between an Irish princess and a knight, where every glance, chord, and silence carries unspoken desire.
Program
WAGNER
Tristan and Isolde, Act II
Tickets
In-Hall Tickets
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Saturday, Feb. 28
7:30 P.M. at Jones Hall
Sunday, Mar. 1
2:00 P.M. at Jones Hall
Artists

Juraj Valčuha
conductor
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Tamara Wilson
soprano (Isolde)
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Stuart Skelton
tenor (Tristan)
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Jamie Barton
mezzo-soprano (Brangäne)
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Derek Welton
bass (King Marke)
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Nicholas Brownlee
bass-baritone, Kurwenal and Melot
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Sponsors
Margaret Alkek Williams
Spotlight Series
The Cullen Trust for the Performing Arts
Guarantor
Video enhancement of Houston Symphony concerts is made possible by the Albert & Ethel Herzstein Foundation through a special gift celebrating the foundation's 50th anniversary in 2015
Extras
Additional Information
Doors Open:
60 mins. pre-concert
Prelude:
45 mins. pre-concert
Duration
Approx. 90 mins
Intermission
No Intermission
Age Limit
Age 6+
Visitor Info
Parking and Directions
Learn More >In-Hall Experience
Learn More >Ticket Policies
Learn More >Accessibility
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conductor
Juraj Valčuha
Music Director, Roy and Lillie Cullen Chair
Houston Symphony Music Director Juraj Valčuha is recognized for his effortless expressiveness and depth of musicianship. He is known for his sharp baton technique, natural stage presence, and the impressive ease of his interpretations that translate even the most complex scores into immersive experiences.
Before joining the Houston Symphony in June 2022, Valčuha was Music Director of the Teatro di San Carlo, Naples, from 2016 to 2022 and first guest conductor of the Konzerthausorchester Berlin. He was Chief Conductor of the Orchestra Sinfonica Nazionale della RAI from 2009 to 2016. In 2023, he assumed the post of Principal Guest Conductor of the Yomiuri Nippon Symphony Orchestra.
The 2005–06 Season marked the start of his international career on the podium of the Orchestre National de France followed by remarkable debuts in the United Kingdom with the Philharmonia London, in Germany with the Munich Philharmonic, in the United States with the Pittsburgh Symphony Orchestra, and in Italy with Puccini’s La bohème in Bologna.
He has since led the Leipzig Gewandhaus Orchestra, Dresden Staatskapelle, Munich Philharmonic, Berlin Philharmonic, Swedish Radio Symphony, Amsterdam Royal Concertgebouw, Rotterdam Philharmonic, Orchestre de Paris, Maggio Musicale in Florence, Orchestra dell’Accademia Nazionale di Santa Cecilia Rome, Milan’s Filarmonica della Scala, Montréal Symphony, and the NHK and Yomiuri orchestras in Tokyo.
He enjoys regular collaborations with the Pittsburgh and Chicago Symphony Orchestras, the San Francisco Symphony, the Minnesota Orchestra, and the New York Philharmonic. International touring with the Orchestra Sinfonica della RAI took them to the Musikverein in Vienna, Philharmonie in Berlin, Cologne, Düsseldorf, Zurich, and Munich; to the Enesco Festival in Bucharest; and to the Abu Dhabi Classics. With the Konzerthausorchester Berlin, he visited Riga, Vilnius, and Tallinn to mark the 100th anniversary of the Baltic nations.
Valčuha champions the compositions of living composers and programs contemporary pieces in most of his concerts. He has conducted world premieres, including Christopher Rouse’s Supplica with the Pittsburgh Symphony Orchestra, Steven Mackey’s violin concerto with Leila Josefowicz and the BBC Symphony in Manchester, and Nico Muhly’s Bright Idea with the Houston Symphony. In 2005, he conducted, in the presence of the composer, Steve Reich’s Four Seasons at the Melos-Ethos Festival in Bratislava. Other composers he has supported and continues to follow with interest are Bryce Dessner, Steven Stucky, Andrew Norman, James MacMillan, Luca Francesconi, Anna Thorvaldsdóttir, Anna Clyne, Julia Wolfe, and Jessie Montgomery, among others.
Including his engagements in Houston, the 2023–24 Season took him to the Pittsburgh and Chicago Symphony Orchestras, San Francisco Symphony, and Minnesota Orchestra as well as to the Yomiuri Nippon Orchestra in Tokyo. On the European stage, he performed La fanciulla del West and Tristan und Isolde at the Bavarian State Opera and at the Deutsche Oper Berlin, and Jenůfa at the Opera di Roma. He led concerts with the RAI Orchestra, the Orchestra dell’Accademia di Santa Cecilia, the Orchestre National de France, the NDR, SWR, and the Bamberg Symphony, among others.
In the 2024–25 Season, Valčuha joined the Semperoper in Dresden with Strauss’s Salome as well as the Paris Opéra Bastille with Janáček’s The Cunning Little Vixen and the Deutsche Oper Berlin with Tchaikovsky’s Pique Dame. In addition to his concerts with the Houston Symphony, he returned to the Munich Philharmonic, the Orchestre National de France, the London Philharmonic, the Berlin Konzerthaus Orchester, the San Francisco Symphony, the Pittsburgh Symphony Orchestra, and the Yomiuri Nippon Orchestra in Tokyo.
The 2025–26 season marks his fourth season with the Houston Symphony. His guest engagements will lead him to the San Francisco, Chicago, and Pittsburgh Symphony Orchestras. In Europe, he will join the Orchestre National de France, the Konzerthaus Orchester Berlin, the Bamberg Symphony, the Santa Cecilia Orchestra in Rome, the Basque National Orchestra, the NDR Elbphilharmonie in Hamburg and on tour, and the RAI National Orchestra in Turin. On the opera stage, he will conduct Pelleas et Mélisande at the Geneva Opera as well as Don Carlo and La bohème at the Deutsche Oper Berlin.
Born in Bratislava, Slovakia, Valčuha studied composition and conducting in his birthplace, then at the conservatory in St. Petersburg (with Ilya Musin), and finally, at the Conservatoire Supérieur de la Musique in Paris.


Hélène Grimaud
piano
Renaissance woman Hélène Grimaud is not just a deeply passionate and committed musical artist whose pianistic accomplishments play a central role in her life. Her multiple talents extend far beyond the instrument she plays with such poetic expression and technical control. Grimaud has established herself as a wildlife conservationist, a human rights activist, and a writer; her deep dedication to her musical career is reflected in and amplified by the scope and depth of her environmental, literary, and artistic interests.
She has been an exclusive Deutsche Grammophon artist since 2002 and her recordings have received prestigious accolades. Her discography includes acclaimed albums such as Credo, Reflection, and a Beethoven album with Staatskapelle Dresden. Her 2010 solo album Resonances and subsequent releases—including Duo with cellist Sol Gabetta and Memory (2018)—highlight her diverse musical range. Her latest project, For Clara (September 2023), revisits Robert Schumann’s Kreisleriana alongside Brahms’s Intermezzi and songs.
In the 2025–26 season, Hélène Grimaud brings her exceptional artistry to George Gershwin’s Piano Concerto in F, performing this iconic work with prestigious orchestras including the San Francisco Symphony Orchestra, Houston Symphony, Cincinnati Symphony Orchestra, New York Philharmonic, Philadelphia Orchestra, Tonhalle-Orchester Zürich, and Gewandhausorchester Leipzig, among others. Alongside these highlights, she embarks on a West Coast tour with the Dallas Symphony Orchestra performing Robert Schumann’s Piano Concerto, while additional orchestral engagements underscore the rich breadth of her repertoire. Throughout the season, she continues to captivate audiences worldwide with solo recitals and chamber music performances.
Born in Aix-en-Provence in 1969, Grimaud entered the Paris Conservatoire at 13. In 1987, she gave her debut recital in Tokyo. That same year, conductor Daniel Barenboim invited her to perform with the Orchestre de Paris, marking the launch of her career, which has since been characterized by concerts with major orchestras and celebrated conductors worldwide.