Feb. 7 & 9, 2025
Viva Italia! Opera Beyond Words
Nothing says “drama” like Italian opera! In this concert, the Symphony shares a treasure trove of popular orchestral favorites from Madame Butterfly, William Tell, and more.
About This Concert
Nothing says “drama” like Italian opera—and while vocal arias may be the first thing that comes to mind when you think of composers like Verdi, Puccini, and Rossini, they poured some of their most breathtakingly beautiful melodies into the orchestral music they created for their operas. In this concert, Music Director Juraj Valčuha and the orchestra share a treasure trove of overtures and interludes from Madama Butterfly, Macbeth, and more, capped off by Rossini’s famous William Tell Overture.
What to Expect:
- Music of drama, power, and passion
- Gear up for Rodeo Season with a live performance of Rossini’s iconic William Tell Overture (The Lone Ranger Theme)
- Nothing says “amore” like Italian opera! Set the stage for a romantic evening out, just in time for Valentine’s Day
Artists
Juraj Valčuha
conductor
Program
RESPIGHI
Belfagor: Overture
VERDI
Macbeth: Act III Ballet Music
PUCCINI
Suor Angelica: Intermezzo
ROSSINI
William Tell: Overture
CASSELLA
La donna serpente: Suite No. 2
PUCCINI
Manon Lescaut: Intermezzo from Act III
PUCCINI
Madama Butterfly: Intermezzo
Sponsored by
High School Nights
Visitor Info
Parking & Directions
Our permanent home is Jones Hall for the Performing Arts, located in the heart of Houston’s thriving Theater District. We also perform regularly at the Cynthia Woods Mitchell Pavilion and Miller Outdoor Theatre, among other locations throughout Greater Houston.
Jones Hall for the Performing Arts is located at 615 Louisiana St., Houston, TX 77002.
View MapThe Theatre District Parking Garage, open 24 hours a day, is available for all Houston Symphony concerts. To get the full list of alternative parking, visit the following link.
In-Hall
Lobby doors open one hour prior to the start of the concert and theatre doors open 30 minutes prior.
Wheelchair-accessible seats are available at Jones Hall. For assistance, contact the Patron Services Center at
713.224.7575.Restrooms are located throughout Jones Hall, on the courtyard, mezzanine, and balcony levels.
The Encore Café and in-hall bars are open during our performances. Please note that only water is allowed inside the theatre.
Concert Etiquette
We strive for an enjoyable experience with patrons in a variety of attire, from formal to business casual.
Each performance typically allows for late seating, which is scheduled in intervals. Our ushers will instruct you on when late seating is allowed.
The Encore Café and in-hall bars are open during our performances. Please note that only water is allowed inside the theatre.
Ticket Policies
Click here to contact our Patron Services Center to exchange your tickets for a different concert. Please allow up to 48 hours for a response.
Tickets bought over a week in advance are mailed; others are sent electronically.
No problem! Your ticket is re-printable. Simply call us at 713.224.7575 or come to an available ConocoPhillips Box Office window at the performance.
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Houston Symphony Music Director Juraj Valčuha is recognized for his effortless expressiveness and depth of musicianship. With sharp baton technique and natural stage presence, the impressive ease of his interpretations translates even the most complex scores into immersive experiences. Before joining the Houston Symphony in June 2022, Juraj was Music Director of the Teatro di San Carlo, Naples, from 2016 to 2022 and first guest conductor of the Konzerthausorchester Berlin. He was Chief Conductor of the Orchestra Sinfonica Nazionale della Rai from 2009 to 2016. The 2005–06 Season marked the start of his international career on the podium of the Orchestre National de France followed by remarkable debuts in the United Kingdom with the Philharmonia London, in Germany with the Munich Philharmonic, in the United States with the Pittsburgh Symphony Orchestra, and in Italy with Puccini's La bohème in Bologna. He has since led the Leipzig Gewandhaus Orchestra, Dresden Staatskapelle, Munich Philharmonic, Berlin Philharmonic, Swedish Radio Symphony, Amsterdam Royal Concertgebouw, Rotterdam Philharmonic, Orchestre de Paris, Maggio Musicale in Florence, Orchestra dell'Accademia Nazionale di Santa Cecilia Rome, Milan's Filarmonica della Scala, Montréal Symphony, and the NHK and Yomiuri orchestras in Tokyo. He enjoys regular collaborations with the Minnesota Orchestra, New York Philharmonic, Pittsburgh Symphony Orchestra, and San Francisco Symphony. International touring with the Orchestra Sinfonica della Rai took them to the Musikverein in Vienna and Philharmonie in Berlin, Cologne, Düsseldorf, Zurich, Munich, to the Enesco Festival in Bucharest, and the Abu Dhabi Classics. With the Konzerthausorchester Berlin, he visited Riga, Vilnius, and Tallinn to mark the 100th anniversary of the Baltic nations. In Europe, he is acclaimed on the podium of the Munich Philharmonic, the NDR Hamburg and Frankfurt Radio orchestras, as well as the Vienna Symphony, Czech Philharmonic, Orchestre National de France, Orchestre de Paris, BBC Symphony and Philharmonia London, and the Swedish Radio Orchestra. Juraj champions the compositions of living composers and aims to program contemporary pieces in most of his concerts. He has conducted world premieres, including Christopher Rouse’s Supplica with the Pittsburgh Symphony Orchestra, Steven Mackey’s violin concerto with Leila Josefowicz and the BBC Symphony in Manchester, and Nico Muhly’s Bright Idea with the Houston Symphony. In 2005, he conducted, in the presence of the composer, Steve Reich’s Four Seasons at the Melos-Ethos Festival in Bratislava. Other composers he has supported and continues to follow with interest are Bryce Dessner, Steven Stucky, Andrew Norman, James MacMillan, Luca Francesconi, Anna Thorvaldsdottir, Anna Clyne, Julia Wolfe and Jessie Montgomery, among others. Including his engagements in Houston, the 2023–24 Season took him to the Pittsburgh and Chicago Symphony Orchestras, San Francisco Symphony, and Minnesota Orchestra as well as to the Yomiuri Nippon Orchestra in Tokyo. On the European stage, he performed Fanciulla del West and Tristan and Isolde at the Bavarian State Opera and at the Deutsche Oper Berlin, Jenufa at the Opera di Roma. He led concerts with the RAI Orchestra, the Orchestra dell'Accademia di Santa Cecilia, the Orchestre National de France, the NDR, SWR, and the Bamberg Symphony, among others. In the 2024–2025 Season Juraj will join the Semperoper in Dresden with Strauss´ Salomé as well as the Paris Opéra Bastille with Janacek´s The Cunning Little Vixen and the Deutsche Oper Berlin with Tchaikovsky´s Pique Dame. In the coming months, in addition to his concerts with the Houston Symphony, he will return to the Munich Philharmonic, the Orchestre National de France, the London Philharmonic, the Berlin Konzerthaus Orchester, the San Francisco Symphony, the Pittsburgh Symphony Orchestra, and the Yomiuri Nippon Orchestra in Tokyo. Born in Bratislava, Slovakia, Juraj studied composition and conducting in his birthplace, then at the conservatory in St. Petersburg (with Ilya Musin), and finally, at the Conservatoire Supérieur de la Musique in Paris.