Nov. 8 & 9
Shall We Dance?
About This Concert
The virtuosity of the Houston Symphony will be on full display with dazzling delights guaranteed to get your blood pumping and your toes tapping! Ginastera’s Variaciones Concertantes crackles with Argentinian rhythms, while Enescu’s Romanian Rhapsody No. 1 unfurls an exhilarating whirlwind of folk-dance flavor. In Gabriela Ortiz’s showstopping Antrópolis, joyful percussion grooves transport you to the colorful dance halls of Mexico City. Debussy’s shimmering Prelude to the Afternoon of a Faun sets the stage, and Hindemith’s splashy Symphonic Metamorphosis ends the program with a brass-filled bang.

What To Expect?
Move and groove with fun, high-energy dance music from Mexico, Argentina, and Romania—we dare you not to dance in your seat!
Marvel at the virtuosity of your Houston Symphony with music that showcases every section of the orchestra
With bite-sized works and nonstop energy, this concert is a great option for younger listeners, or anyone wanting to try a classical concert for the first time!
Program
DEBUSSY
Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun)
GINASTERA
Variaciones Concertantes
ENESCU
Romanian Rhapsody No. 1
G. ORTIZ
Antrópolis
HINDEMITH
Symphonic Metamorphosis
Tickets
In-Hall Tickets
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Saturday, Nov. 8
7:30 P.M. at Jones Hall
Sunday, Nov. 9
2:00 P.M. at Jones Hall
Livestream Access
Sunday, Nov. 9
2:00 P.M. at Jones Hall

Your Music. Your Season. Your Way.
Pick 3 or more concerts and enjoy big savings with our Pick Your Own Subscriptions. Choose your favorite performances — in-hall or livestream — and save up to 43%. Click Here to Start Saving
Your Music. Your Season. Your Way.
Pick 3 or more concerts and enjoy big savings with our Pick Your Own Subscriptions. Choose your favorite performances — in-hall or livestream — and save up to 43%.
Click Here to Start Saving
Artists

Gonzalo Farias
conductor
View Biography
Sponsors

Favorite Masters
Video enhancement of Houston Symphony concerts is made possible by the Albert & Ethel Herzstein Foundation through a special gift celebrating the foundation's 50th anniversary in 2015
Extras
Additional Information
Doors Open:
60 mins. pre-concert
Prelude:
Not available
Duration
Approx. 120 mins
Intermission
20 mins.
Age Limit
Age 6+
Visitor Info
Parking and Directions
Learn More >In-Hall Experience
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conductor
Gonzalo Farias
Gonzalo Farias, Associate Conductor of the Houston Symphony, is an imaginative and engaging orchestral leader, award-winning pianist, and dedicated educator. Praised for his “clear, engaging style with a lyrical, almost Zen-like quality,” he is recognized as “a focused, musical artist who knows what he wants and how to get it—with grace and substance.”
He has held conducting posts with the Kansas City Symphony, Jacksonville Symphony, Virginia Symphony Orchestra, and the Baltimore Symphony Orchestra. As Music Director of the Joliet Symphony Orchestra, he strengthened community connections through innovative programming, pre-concert lectures, and bilingual collaborations, including a narrated performance of Bizet’s Carmen.
Recent and upcoming appearances include the Nashville Symphony, Lyric Opera of Chicago, Buffalo Philharmonic, Tallahassee Symphony, and the Houston Symphony, where in 2024 he conducted the world premiere of Arturo Márquez’s Guitar Concerto with Pablo Sainz-Villegas.
He was one of six conductors chosen for the prestigious Bruno Walter National Conductor Preview, presented by the League of American Orchestras, and was appointed by the National Endowment for the Arts as a grant review panelist.
Born in Santiago de Chile, Farias began piano studies at age five. He earned his bachelor’s degree at the Pontificia Universidad Católica de Chile and continued his education at the New England Conservatory, studying under Wha-Kyung Byun and Russell Sherman. He has won prizes at the Claudio Arrau International Piano Competition, Maria Canals, and Luis Sigall competitions. His conducting mentors include Donald Schleicher, Marin Alsop, Larry Rachleff, and Otto-Werner Mueller.
Beyond performance, Farias is committed to reimagining music as a force for personal growth, dialogue, cooperation, and community-building. His doctoral dissertation, Logical Predictions and Cybernetics, examines Cornelius Cardew’s The Great Learning to explore music-making as a self-organizing system. Influenced by Zen Buddhist practice and second-order cybernetics, he views music as a shared space where performers and audiences co-create meaning, reflecting on our shared human condition.