Mar. 21, 22 & 23
Rachmaninoff’s Rhapsody & The Little Mermaid
Rachmaninoff’s Rhapsody on a Theme of Paganini dazzles with virtuosic piano and heart-melting melodies, while Juraj Valčuha leads a program of fairy-tale magic, including Liadov's Enchanted Lake and Zemlinsky's romantic The Mermaid.
About This Concert
Based on a catchy little tune by Paganini, Rachmaninoff’s diabolically difficult Rhapsody on a Theme of Paganini blends explosive piano feats with melodies that melt the heart. And, Music Director Juraj Valčuha leads music sprinkled in fairy tale magic: swim through the wonders of Liadov’s Enchanted Lake, then dive under the sea with Zemlinsky’s lavishly romantic The Mermaid, based on Hans Christian Andersen’s “Little Mermaid” story.
What to Expect:
- Jaw-dropping piano feats you have to hear (and see) to believe
- Stunningly beautiful melodies by classical music’s ultimate romantic, Rachmaninoff
- Dive under the sea with lush, evocative music inspired by Hans Christian Andersen’s “The Little Mermaid”
What to Expect:
- Jaw-dropping piano feats you have to hear (and see) to believe
- Stunningly beautiful melodies by classical music’s ultimate romantic, Rachmaninoff
- Dive under the sea with lush, evocative music inspired by Hans Christian Andersen’s “The Little Mermaid”
Tickets
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Artists
Juraj Valčuha
conductor
Kirill Gerstein
piano
Program
LIADOV
The Enchanted Lake
ZEMLINSKY
The Mermaid
RACHMANINOFF
Rhapsody on a Theme of Paganini
Sponsored by
High School Night
Anne Morgan Barrett
Sponsor
Margaret Alkek Williams
Spotlight Series
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Juraj Valčuha
conductor
Houston Symphony Music Director Juraj Valčuha is recognized for his effortless expressiveness and depth of musicianship. With sharp baton technique and natural stage presence, the impressive ease of his interpretations translates even the most complex scores into immersive experiences.
Before joining the Houston Symphony in June 2022, Juraj was Music Director of the Teatro di San Carlo, Naples, from 2016 to 2022 and first guest conductor of the Konzerthausorchester Berlin. He was Chief Conductor of the Orchestra Sinfonica Nazionale della Rai from 2009 to 2016.
The 2005–06 Season marked the start of his international career on the podium of the Orchestre National de France followed by remarkable debuts in the United Kingdom with the Philharmonia London, in Germany with the Munich Philharmonic, in the United States with the Pittsburgh Symphony Orchestra, and in Italy with Puccini's La bohème in Bologna.
He has since led the Leipzig Gewandhaus Orchestra, Dresden Staatskapelle, Munich Philharmonic, Berlin Philharmonic, Swedish Radio Symphony, Amsterdam Royal Concertgebouw, Rotterdam Philharmonic, Orchestre de Paris, Maggio Musicale in Florence, Orchestra dell'Accademia Nazionale di Santa Cecilia Rome, Milan's Filarmonica della Scala, Montréal Symphony, and the NHK and Yomiuri orchestras in Tokyo.
He enjoys regular collaborations with the Minnesota Orchestra, New York Philharmonic, Pittsburgh Symphony Orchestra, and San Francisco Symphony. International touring with the Orchestra Sinfonica della Rai took them to the Musikverein in Vienna and Philharmonie in Berlin, Cologne, Düsseldorf, Zurich, Munich, to the Enesco Festival in Bucharest, and the Abu Dhabi Classics. With the Konzerthausorchester Berlin, he visited Riga, Vilnius, and Tallinn to mark the 100th anniversary of the Baltic nations.
In Europe, he is acclaimed on the podium of the Munich Philharmonic, the NDR Hamburg and Frankfurt Radio orchestras, as well as the Vienna Symphony, Czech Philharmonic, Orchestre National de France, Orchestre de Paris, BBC Symphony and Philharmonia London, and the Swedish Radio Orchestra.
Juraj champions the compositions of living composers and aims to program contemporary pieces in most of his concerts. He has conducted world premieres, including Christopher Rouse’s Supplica with the Pittsburgh Symphony Orchestra, Steven Mackey’s violin concerto with Leila Josefowicz and the BBC Symphony in Manchester, and Nico Muhly’s Bright Idea with the Houston Symphony. In 2005, he conducted, in the presence of the composer, Steve Reich’s Four Seasons at the Melos-Ethos Festival in Bratislava. Other composers he has supported and continues to follow with interest are Bryce Dessner, Steven Stucky, Andrew Norman, James MacMillan, Luca Francesconi, Anna Thorvaldsdottir, Anna Clyne, Julia Wolfe and Jessie Montgomery, among others.
Including his engagements in Houston, the 2023–24 Season took him to the Pittsburgh and Chicago Symphony Orchestras, San Francisco Symphony, and Minnesota Orchestra as well as to the Yomiuri Nippon Orchestra in Tokyo. On the European stage, he performed Fanciulla del West and Tristan and Isolde at the Bavarian State Opera and at the Deutsche Oper Berlin, Jenufa at the Opera di Roma. He led concerts with the RAI Orchestra, the Orchestra dell'Accademia di Santa Cecilia, the Orchestre National de France, the NDR, SWR, and the Bamberg Symphony, among others.
In the 2024–2025 Season Juraj will join the Semperoper in Dresden with Strauss´ Salomé as well as the Paris Opéra Bastille with Janacek´s The Cunning Little Vixen and the Deutsche Oper Berlin with Tchaikovsky´s Pique Dame. In the coming months, in addition to his concerts with the Houston Symphony, he will return to the Munich Philharmonic, the Orchestre National de France, the London Philharmonic, the Berlin Konzerthaus Orchester, the San Francisco Symphony, the Pittsburgh Symphony Orchestra, and the Yomiuri Nippon Orchestra in Tokyo.
Born in Bratislava, Slovakia, Juraj studied composition and conducting in his birthplace, then at the conservatory in St. Petersburg (with Ilya Musin), and finally, at the Conservatoire Supérieur de la Musique in Paris.
jurajvalcuha.com
Kirill Gerstein
piano
Fascination for musical discovery combined with boundless curiosity, imagination, and virtuosity have established Kirill Gerstein as one of today’s most prolific and compelling performers. As a pianist, curator, educator, musical leader, and artistic collaborator, his exploration of resonant themes across a vast spectrum of repertoire has nourished relationships with many of the world’s leading orchestras, conductors, instrumentalists, singers, composers, festivals, recording labels, and media platforms.
Recently, Kirill was artist-in-residence with the Bavarian Radio Symphony Orchestra, spotlight artist with the London Symphony Orchestra, resident artist at the Festival Aix-en-Provence, and curator of a three-part Busoni and His Worldconcert series at London’s Wigmore Hall. He also released an acclaimed album with the Berliner Philharmoniker and Kirill Petrenko celebrating Rachmaninoff’s 150th anniversary; presented, alongside jazz master Brad Mehldau, a program contrasting composed and improvised music as part of his residency at the Ruhr Piano Festival; and, at Tanglewood, performed Berlin cabaret songs of the 1920s with performance artist and composer, HK Gruber. Media projects, broadcasts, and digital innovation represent an integral part of Kirill’s creativity. His world première recording of Thomas Adès’s Concerto for Piano and Orchestra with the Boston Symphony conducted by the composer was nominated for three Grammys and received the 2020 Gramophone Award.
He is currently professor of piano at Berlin’s Hanns Eisler Hochschule and is on the faculty of Kronberg Academy. He also coaches at the Verbier Festival Academy and at IMS Prussia Cove. Born in 1979 in Voronezh, Russia, Kirill attended one of the country’s special music schools for gifted children and taught himself to play jazz by listening to his parents’ record collection. He was the youngest student, at 14, to study at Boston’s Berklee College of Music. At age 16, he completed his undergraduate and graduate degrees at New York’s Manhattan School of Music, followed by further studies with Dmitri Bashkirov in Madrid and Ferenc Rados in Budapest. First prize winner at the 10th Arthur Rubinstein Competition, in 2010, Kirill received the prestigious Gilmore Artist Award, as well as an Avery Fisher Career Grant. He was awarded an honorary doctor of musical arts from the Manhattan School of Music in 2021.