Jan. 23, 24 & 25
Marin Alsop Conducts Brahms 2
Conducting legend Marin Alsop unlocks the luminous jewel case that is Brahmsโs Symphony No. 2: overflowing with gorgeous melodies that melt the heart, it ends with a triumphant burst of pure joy.
About This Concert
Conducting legend Marin Alsop unlocks the luminous jewel case that is Brahmsโs Symphony No. 2: overflowing with gorgeous melodies that melt the heart, it ends with a triumphant burst of pure joy. Love is the unifying thread in Bernsteinโs Serenade (After Platoโs โSymposiumโ), performed with dazzling virtuosity by Concertmaster Yoonshin Song. An all-American first half opens with Barberโs heartfelt Second Essay for Orchestra.
Tickets
Be the First to Secure Your Seat!
Single tickets for this concert arenโt available yetโbut you donโt have to wait! Subscribers get early access before the general public. Choose the subscription that fits your style:
- Curated Series โ Enjoy expertly crafted packages featuring our Classical Series,ย Bank of America POPS Series, or Family Series.
- Pick Your Own โ Mix and match your favorite concerts for a season tailored to you.
- Livestreaming โ Enjoy select concerts from the comfort of your home.
Artists
Marin Alsop
conductor
Yoonshin Song
violin
Sponsored by
Joella & Steven P. Mach
Sponsor
Rebecca & Bobby Jee
Artist Sponsor
The Basu Family
Sponsor
Meredith & Ben Marshall
Guarantor
Program
BARBER
Second Essay for Orchestra
BERNSTEIN
Serenade (After Platoโs โSymposiumโ)
BRAHMS
Symphony No. 2
Extras
Program Notes
Discover the stories behind the music with program notes and gain deeper insight into our concert, Very Merry Pops.
Visitor Info
Click below to view all the FAQs per category. Use the arrows to see more categories:
Explore our FAQ section to learn more about accessibility services and accommodations available for all guests.
Visit our FAQ section for detailed information on parking options and directions to ensure a smooth visit.
Discover our FAQ section to learn about communication preferences and how we can best assist you.
Visit our FAQ section to learn more about the in-hall experience, including seating, amenities, and accessibility.
Explore our FAQ section to learn more about season programming and discover exciting upcoming performances and events.
Visit our FAQ section to learn more about ticket policies, including pricing, refunds, and exchange options.
You Might Also Like
Yoonshin Song
violin
Yoonshin Song was appointed as Concertmaster of the Houston Symphony in August 2019. Prior to that she has held the same position withย the Detroit Symphony Orchestra for seven seasons. In Europe, Yoonshin has served as guest concertmaster of the Budapest Festival Orchestra under Ivรกn Fischer for several years, and she has led the Verbier Festival Chamber Orchestra under numerous top-tiered conductors, such as Sir Simon Rattle, Klaus Mรคkelรค, Daniel Harding, Mikhail Pletnev, and Antonio Pappano. She also served as guest concertmaster of the Pittsburgh Symphony Orchestra, the Finnish Radio Symphony Orchestra, and the KBS Symphony Orchestra.
Beyond her first chair duties, Yoonshin has performed as a soloist with many orchestras around the world, including the Houston Symphony, Budapest Festival Orchestra, the Detroit Symphony Orchestra, the Utah Symphony, the New Mexico Philharmonic Orchestra, the Bayreuth Festival Orchestra, the Paul Constantinescu Philharmonic Orchestra, the Seoul Philharmonic Orchestra, and the KBS Symphony Orchestra, among many others.
She has also participated as a soloist and a chamber musician in various roles in leading music festivals, including the ones in Verbier, Lucerne, Samos and Bayreuth in Europe, the Marlboro, Great Lakes, and Deer Valley in the United States.
Yoonshin has earned many prestigious prizes throughout her career, including top prize awards in the Lipizer International Violin Competition, the Lipinski and Wieniawski International Violin Competition, the Henry Marteau International Violin Competition, and first prize at the Stradivarius International Competition in the United States.
She studied under the tutelage of Donald Weilerstein at the New England Conservatory and with Robert Mann, Glenn Dicterow, and Lisa Kim at the Manhattan School of Music.