Winner of Third Prize at the 2013 Michael Hill International Violin Competition, Boson was named as one of Canada’s “30 under 30 Top Classical Musicians of 2015” by CBC Radio-Canada. He is a recipient of the “Prix Joseph-Rouleau” at the 2010 Montreal International Violin Competition as well as a top 25 candidate at the 2015 International Tchaikovsky Competition, and is a winner of Canada’s prestigious Sylva Geber Foundation Award. Additionally, he is a two-time winner of Canada Council for the Arts’ Musical Instrument Bank loan. Mo served as Acting Assistant Concertmaster of the Vancouver Symphony Orchestra in the autumn of 2017 and is now a member of the Houston Symphony. He will forever be a student of mentors Keqiang Li and Paul Kantor, and he currently performs on a violin by MacArthur “Genius Grant” recipient Joseph Curtin.

Hailed by audiences across North America and Europe for his commanding and expressive performances, Venezuelan/American violinist and violist Paul Aguilar currently resides in Houston, Texas. As an orchestral musician, he was recently appointed as a member of the Houston Symphony viola section, and he also maintains an active solo and chamber music
performance schedule of over 40 recitals every year.

As a chamber musician, Paul has appeared on concert series and in concert halls across North America and internationally, including Carnegie’s Weill Recital Hall, Ravinia Festival, ChamberFest Cleveland, Caramoor Center for Music and the Arts, La Jolla Summerfest, the Great Lakes Chamber Music Festival, the Schneider Concert Series, the Heidelberg String Quartet Festival, and the Emilia-Romagna Festival. Equally comfortable on both violin and viola, Paul has won top prizes in nearly every major chamber music competition, including the Banff International String Quartet Competition, the Bordeaux International String Quartet Competition, the Melbourne International String Quartet Competition, and the Fischoff National Chamber Music Competition. He was selected as the only Orpheus Chamber Orchestra Performance Fellow for the 2020-2021 season, and he also performs regularly as a member of the Astralis Chamber Ensemble. His chamber music collaborators have included artists such as James Ehnes, Augustin Hadelich, Phil Setzer, Lawrence Power, Paul Watkins, Desmond Hoebig, Jon Kimura Parker, Frank Cohen, and Shirley Brill.

Bringing total dedication and commitment to everything he does, Paul strives to educate the next generation on the importance of true excellence in every area of life, and of classical music’s role as simply a tool along that path. As an educator, Paul has appeared as guest artist faculty at festivals and institutions across the United States including Rice University’s Shepherd School of Music, the Cleveland Institute of Music Young Artist Program, the Intermountain Suzuki String Institute, and the Fine Arts Center in Greenville, SC. He is actively involved with the Sphinx Organization in both performance and outreach and was a 2019 MPower Grant recipient.

A graduate of the Cleveland Institute of Music, Paul counts Jaime Laredo, Jan Mark Sloman, and Si-Yan Darren Li as some of his most formative musical influences; he also holds a degree from Rice University’s Shepherd School of Music where he participated in their String Quartet Residency. Paul pursued further chamber music studies in Europe at the Escuela Superior de Música Reina Sofía in Madrid and at the University of Music and Performing Arts in Vienna where he was fortunate to study under Günter Pichler, Gerhard Schulz, Johannes Meissl, and Avri Levitan.

In addition to his busy travel and performance schedule, Paul is committed to regularly sharing music in schools and organizations throughout his community. When not involved with music, Paul enjoys running, reading, and spending time with his family. Paul plays on a very fine violin and viola that were commissioned from master luthier Kevin Lee.

Cellist Charles Seo was appointed cellist of the Houston Symphony in the summer of 2018 at age 22. Previously, he served as principal cellist in the Colburn Orchestra. Charles, who made his solo orchestral debut at age 10, has performed as guest soloist with the Houston Symphony, Dallas Symphony Orchestra, and San José Chamber Orchestra.

He is silver medalist of the 2014 Irving M. Klein International String Competition and bronze medalist of the 2014 Stulberg International String Competition. In 2013, he was the gold medalist of the Houston Symphony League Concerto Competition, the Lynn Harrell Concerto Competition, the Schmidbauer International Competition, and the 30^th Pasadena Showcase House Instrumental Competition. Charles performed Sarasate’s Zigeunerweisen with Christopher O’Riley on NPR’s From the Top.

Charles has collaborated with cellists Lynn Harrell, Robert deMaine, Clive Greensmith, Wolfgang Emanuel Schmidt, David Geringas, Steven Isserlis, Jian Wang, Myung-wha Chung, Lluís Claret, Li-Wei Qin, Bion Tsang, and Laurence Lesser. He holds a Bachelor of Music degree from the Colburn School, where he studied with Ronald Leonard and Clive Greensmith.

Robin Kesselman was appointed Principal Bass of the Houston Symphony Orchestra in 2014. He has performed as Guest Principal Bass with the Saint Paul Chamber Orchestra, Singapore Symphony Orchestra, and the Israel Philharmonic, travelled internationally with the Philadelphia Orchestra and Los Angeles Philharmonic, and appeared with the National, Atlanta, and Baltimore symphonies.

Kesselman has appeared multiple times as soloist with the Houston Symphony, in subscription performances of the Koussevitzky Concerto for Double Bass, Missy Mazzoli’s concerto Dark with Excessive Bright, and Bottesini’s Gran Duo Concertante with Gil Shaham. Previous season highlights include Krzysztof Penderecki’s Duo Concertante during the composer’s Carnegie Hall residency in collaboration with the Curtis Institute and Bottesini’s Concerto No. 2 with the Houston Civic Symphony. Recent festival engagements include leading the bass sections of the Grand Teton, Mainly Mozart, Arizona Musicfest and Aspen Festival orchestras.

Kesselman frequently performs as a soloist and chamber musician and presents recital programs and masterclasses at the Nation’s top universities. He has also served as faculty for the National Youth Orchestra – USA, Curtis Institute’s Summerfest, the Richard Davis Bass Conference, and the summer residency of the Youth Philharmonic of Colombia. He recently released Bow Speed Geography, a method book and video series dedicated to the improvement of legato and sustain from the standpoint of bow speed. Kesselman holds a Bachelor of Music degree from the University of Southern California and an Artist Diploma from the Curtis Institute of Music. His primary teachers have included David Allen Moore, Harold Robinson, Edgar Meyer, Paul Ellison, Chris Hanulik, and Virginia Dixon.

Timothy Dilenschneider was appointed associate principal double bass of the Houston Symphony in January of 2019. Prior to joining the Houston Symphony, Dilenschneider was a member of the Baltimore Symphony Orchestra under the baton of music director Marin Alsop. During the summers, he is the double bass faculty for the Blackburn Music Academy in California and an active performer in prestigious music festivals including Festival Napa Valley, Arizona Music Fest, and Classical Tahoe where he is the recipient of an endowed chair. He is an alumnus of the New World Symphony and a 2014 graduate of the Curtis Institute of Music.

An avid lover of travel, Dilenschneider’s orchestral performances have taken him around the world. He has been invited to participate in international tours across Europe, Asia, and Africa with distinguished orchestras such as the Philadelphia Orchestra, Pittsburgh Symphony, Baltimore Symphony, and the Florida Orchestra. He has performed in some of the world’s most notable halls including Carnegie Hall, Concertgebouw, Musikverein, Suntory Hall, Theatre des Champs-Élysées, National Centre for the Performing Arts in Beijing, and most recently Royal Albert Hall in London for the 2018 BBC Proms.

In addition to his orchestral work, Dilenschneider has performed in numerous recitals and chamber music programs including the Candlelight Chamber Series in Baltimore, Napa Valley Chamber Festival in California, and Marin Alsop’s New Music Festival. In 2018 he was invited on a chamber orchestra tour with musicians from the Metropolitan Opera Orchestra to Marrakech, Morocco to perform in the desert of Agafay.

Dilenschneider is on faculty for the Blackburn Music Academy and his passion for music education has led him to work with students at the Peabody Institute of Music, Baltimore Symphony Youth Orchestra, and Philadelphia Youth Orchestra. He has been featured in magazines such as the ISB Bass World and Next Level Bassist. He is also recorded on the Grammy Award winning CD “East Coast 2×4”.

Dilenschneider began playing the double bass at age 8 and studied with “Time for Three” bassist Ranaan Meyer, prior to his studies with Harold Robinson and Edgar Meyer at the Curtis Institute of Music.

Andrew Pedersen joined the Houston Symphony double bass section in August 2017. A native of Batavia, Illinois, Pedersen received his bachelor’s degree from DePaul University and master’s degree from Rice University, where he studied with Robert Kassinger and Timothy Pitts, respectively. Other mentors include Paul Ellison, Alexander Hanna, and Gregory Sarchet.

While in Chicago, Pedersen was a member of the Civic Orchestra where he served as assistant principal bass from 2012 to 2014. During this time, he also worked closely with Yo-Yo Ma on stage and in community outreach programs. He has regularly subbed with the New World Symphony, including a recent tour to Carnegie Hall and the Kennedy Center. He has also attended the Aspen Music Festival, Music Academy of the West, and Verbier Festival.

Outside of the orchestra, Pedersen enjoys arranging music for bass ensembles and exploring the unique cuisine of Houston.

Double bassist Eric Larson has been a member of the Houston Symphony since 1999. Larson pursued undergraduate studies at Boston University, where he earned a Bachelor of Music degree in Performance. Larson received his training from Edwin Barker and Hal Robinson.

Larson has participated in several music festivals including the National Orchestral Institute, Tanglewood, Grand Teton Music Festival, and the Schleswig-Holstein Music Festival. He has performed with the Philadelphia Orchestra, Baltimore Symphony Orchestra, and Boston Symphony Orchestra, and was Principal Double Bass of the Haddonfield Symphony (now Symphony in C). As an active chamber musician, Larson has worked with the East Coast Chamber Orchestra and has collaborated with the T’ang String Quartet.

An avid teacher, Larson spent three years teaching at the Settlement Music School in Philadelphia and 10 years teaching double bass and coaching chamber music at the Boston University Tanglewood Institute. Larson currently spends his summers teaching at the Texas Music Festival and the Wabass Institute for Double Bass.

Flutist Judy Dines is a very active performer in Houston and beyond. Locally, she is a frequent performer in the Greenbriar Consortium, a diverse chamber group made up of Houston Symphony members and other musicians in the Houston area. She was also a member and frequent soloist with the former Houston Chamber Symphony. Other local groups Dines has played with include Mukuru, Aperio and the St. Cecilia Society.

Outside of Houston, Dines is a member of the Ritz Chamber Players, a dynamic chamber ensemble which performs all around the country. She is also a member of the Grand Teton Music Festival Orchestra, which convenes every summer in beautiful Jackson Hole, Wyoming. Several times, most recently in August 2008, she performed at the National Flute Association Convention, a four-day extravaganza which celebrates the flute. In the orchestral world, Dines has performed selected weeks with the National Symphony Orchestra, the Saint Louis Symphony Orchestra and the Chautauqua Symphony Orchestra.

Born in Washington, D.C., Dines attended Temple University in Philadelphia and the Peabody Institute in Baltimore before coming to Houston. She joined the Houston Symphony in 1992.

Anne Leek was educated at Juilliard where she received her bachelor of music, master of music and doctor of musical arts degrees. During her time in New York, she performed on a recital in Carnegie Hall sponsored by the Artists International Contest, which she won. During the 1980s, Leek was Solo Principal Oboe of the Mannheim Orchestra in Germany.

Before joining the Houston Symphony, she played a two year position as principal oboe in the Pittsburgh Symphony, under the baton of Lorin Maazel. Along with her career as an orchestral musician, Leek has taught at Indiana University, Arizona State University and has taught at the University of Houston. As a recital soloist and chamber musician, she has appeared in numerous major cities across the world.

Christian Schubert joined the Houston Symphony as Second Clarinetist in 1996, appointed by then music director Christoph Eschenbach. A native of Burbank, California, Mr. Schubert studied with Kalman Bloch (Principal Clarinet, Los Angeles Philharmonic) for seven years before moving to Chicago to study with Robert Marcellus at Northwestern University, where he received both his undergraduate and graduate degrees in music performance. As a member of the Civic Orchestra of Chicago, Mr. Schubert also studied with Larry Combs of the Chicago Symphony.

Prior to arriving in Houston, Mr. Schubert played extensively with numerous Chicago area ensembles including the Lyric Opera Orchestra, the Chicago Symphony Orchestra, the Ravinia Festival Orchestra, The Chicago Ensemble, as well as performing commercial jingle session work in the Chicago studios. He also served as the second clarinetist and E-flat clarinetist with the Grant Park Music Festival in Chicago for 17 seasons between 1991 and 2016. Active as a chamber musician as well as a recitalist, he has been a featured performer at the Schlesswig Holstein Musik Festival, the Mainly Mozart Festival, the Grand Teton Music Festival and the Tanglewood Music Festival.

Well known for his success in teaching young people, he has served on the music faculties of North Park College in Chicago and the University of Houston’s Moores School of Music. He is also the co-founder of Houston Clarinet Camp and has presented masterclasses across the country. A dedicated pedagogue, he has maintained a private instruction studio at home every year of his professional career as well as serving as a lead teacher in several music education initiatives sponsored by the Houston Symphony.

In his time away from performing and teaching, Mr. Schubert owns and operates a recording engineering company, Schubert Recording Services, specializing in the quality digital recording of classical music.

Mr. Schubert exclusively performs and records on Buffet clarinets, and on D’Addario Reserve Classic reeds, and has been a Performing Artist & Clinician for both companies since 2016.

Associate principal bassoonist Isaac Schultz, a native of Exeter, New Hampshire, earned his bachelor’s and master’s degrees at Rice University’s Shepherd School of Music, where he studied with Benjamin Kamins. While at Rice, Isaac was a fellow at the Music Academy of the West and the Aspen Music School. In 2015, he was a prize winner at the Fischoff International Chamber Music Competition and a finalist at the Coleman Competition. Away from music, he enjoys rock climbing and other outdoor activities.

Brian Mangrum joined the Houston Symphony as Third Horn in June of 2023. From Montreal, he started horn lessons with Denys Derôme in the sixth grade, later studying with John Milner at the Conservatoire de musique de Montréal and with John Zirbel at Collège Marianopolis and over the summers at the Aspen Music Festival and School. Brian attended Rice University in Bill VerMeulen’s studio, and began his tenure as Principal Horn of the Columbus Symphony upon graduation, in 2018.

In addition to his positions in Houston and Columbus, Brian has performed with orchestras across North America, notably as guest principal horn with the San Francisco Symphony, the Detroit Symphony, the National Arts Center Orchestra of Canada and the Cleveland Orchestra.

Leonardo R. Soto, Jr. was appointed Principal Timpanist of the Houston Symphony in 2018. Before arriving to Houston, Leo served as Principal Timpanist of the Charlotte Symphony from 2009 to 2018, and the Michigan Opera Theatre-Detroit Opera House from 2003 to 2009. He was also an active member of Miami’s Nu-Deco ensemble.

Leo has the unique distinction of being the first native Hispanic Timpanist to play in a major orchestra in the United States.

As an educator, Leonardo was faculty at Queens University of Charlotte as well as Artist in residence at Central Piedmont College, and an instructor for the Charlotte Youth Symphony program. As a clinician, he has taught master classes including PASIC’s Pennsylvania day of percussion, the University of North Carolina, Eastern Michigan University, Filarmónica Joven de Colombia, University of Georgia, Rice University, University of Houston, Universidad de Antioquia de Colombia and schools throughout South America. Leo often travels back to his native Chile to perform recitals, master classes and clinics at the National University of Chile, the Youth Symphony Foundation and the National Symphony.

Leonardo has appeared as a soloist with the Charlotte Symphony, Amarillo Symphony and the Houston Symphony. In January 2017 he performed the world premiere of “Evolution Percussion Concerto,” written for him by composer Leonard Mark Lewis.

He began his musical education at the University of Chile and was the recipient of the Teatro Municipal of Santiago National Scholarship. Concurrently, he was trained as a Latin percussionist by his father, Mr. Leonardo Soto, Sr., one of Chile’s most prominent musicians in the field. Leo embarked on his professional career with the Santiago Philharmonic Orchestra and the National Symphony Orchestra of Chile, where he gained experience in orchestral, opera and ballet repertoire. In 1997, he received the Fundación Andes International Scholarship, which brought him to the US and Carnegie Mellon University, where he studied with Timpanist Timothy Adams from the Pittsburgh Symphony Orchestra. He was made an honorary student at Cleveland State University by Tom Freer of the Cleveland Orchestra.

Leonardo has worked with ensembles such as the Pittsburgh Symphony Orchestra, Detroit Symphony Orchestra, New World Symphony, City Music Cleveland, Fort Wayne Philharmonic, Toledo Symphony, Grand Rapids Symphony, among others. As a Latin percussionist, he has recorded and toured with a number of artists from the Pennsylvania, Southern Michigan and New York areas.

Working with Luft Mallets Leo launched this own signature line of Timpani sticks to the market and is a proud performing artist for Pearl/Adams Percussion, Adams Percussion, Remo Drumheads, and Luft Mallets.

Noted for his "elegant and brilliant pianism" (South Florida Classical Review), Wesley Ducote is a pianist/arranger based who has led a diverse musical career pursuing an extensive range of interests. He joined the Houston Symphony as Principal Keyboard in 2026.

As a collaborator, Mr. Ducote has been featured with many of today’s brightest stars including composer/vocalist Kate Soper, Emmy Award-winning composer and Vietnamese folk musician Van Anh Vo, flutists Leone Buyse and Carol Wincenc, clarinetist Evan Ziporyn, soprano Ana Maria Martinez, and many others. He has served as a keyboardist with the Houston Grand Opera Orchestra, The Florida Orchestra, Grant Park Festival Orchestra and has been guest principal keyboard with Naples Philharmonic, Jacksonville Symphony, and Britt Festival Orchestra.

An enthusiastic performer of new and contemporary music, Mr. Ducote has premiered over 40 new works and worked with faculty at institutions in China, South Korea, Canada and all over the United States. His new music experience includes works for solo piano, chamber ensembles, orchestra and even a piano concerto written for him. Recent projects include The Devils Staircase, a program pairing Ligeti's etudes with analogous works from the classical canon and a program utilizing the sonic and lighting capabilities of James Turrell's Twilight Epiphany in an evening of contemporary solo piano music at Rice University.

Mr. Ducote is the recently appointed Artistic Director of the Louis Moreau Institute in New Orleans and has also been a guest artist at MIT, Rocket City New Music, and the Great Falls Symphony. He has held fellowships with the New World Symphony, Da Camera of Houston, the Cortona Sessions for New Music, Encore Chamber Music, Round Top Festival Institute and Aspen Music Festival. Mr. Ducote earned graduate and undergraduate degrees in music from Rice University, where he studied with Brian Connelly, as well as an undergraduate degree in mathematics.