May 1, 3 & 4
Beethoven 7 & Mozart
Join us for a thrilling performance of Beethoven’s dynamic Symphony No. 7 and Mozart’s intense Piano Concerto No. 20, showcasing their unmatched emotional depth and musical genius.
About This Concert
Join us for beloved masterpieces by Beethoven and Mozart! Beethoven’s mega-popular Symphony No. 7 has captivated audiences for more than 200 years, and in typical Beethoven fashion, it fearlessly embraces the full gamut of emotion, from dark and brooding to free-spirited and fun-loving. Mozart’s genius blazes with white-hot intensity in his stormy and dramatic Piano Concerto No. 20.
What to Expect:
- Revel in the timeless brilliance that is Beethoven’s Symphony No. 7
- Music you know and love: Beethoven’s Symphony No. 7 has been used in countless movies, including The King’s Speech and X-Men: Apocalypse
- Featured in the movie Amadeus, Mozart’s Piano Concerto No. 20 never fails to amaze and inspire
Tickets
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Artists

Matthias Pintscher
conductor

Cédric Tiberghien
piano
Program
TAKEMITSU
Twill by Twilight
BEETHOVEN
Symphony No. 7
MOZART
Piano Concerto No. 20 in D minor
Sponsored by

Dr. Sippi and Mr. Ajay Khurana
Grand Guarantor
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Matthias Pintscher is the newly appointed Music Director of the Kansas City Symphony (KCS), effective from the 2024–25 season. He launched his tenure with the KCS with a highly successful tour to Europe in August, with concerts at the Concertgebouw in Amsterdam, the Berlin Philharmonie, and Hamburg’s Elbphilharmonie.
The 2024–25 season will see Pintscher in his fifth year as Creative Partner at the Cincinnati Symphony. As guest conductor, he returns to the New York Philharmonic, Houston Symphony, San Diego Symphony, Los Angeles Chamber Orchestra, Royal Concertgebouw Orchestra, Berlin Radio Symphony Orchestra, Gürzenich Orchestra Cologne, Oslo Philharmonic, BBC Scottish Symphony, Barcelona Symphony, Orquesta Nacional de España, Orchestre National de France, and the Boulez Ensemble.
Pintscher has conducted several opera productions, including with the Staatsoper Berlin (Wagner’s Lohengrin and The Flying Dutchman, and Beat Furrer’s Violetter Schnee last season) and the Wiener Staatsoper (Olga Neuwirth’s Orlando).
Pintscher recently concluded a decade-long tenure as the Music Director of the Ensemble Intercontemporain, the iconic Parisian contemporary ensemble founded by Pierre Boulez. He has held several titled positions, including nine seasons as BBC Scottish Symphony Orchestra’s Artist-in-Association, Music Director for the 2020 Ojai Festival, and as Season Creative Chair with the Tonhalle-Orchester Zürich and Artist-in-Residence at the Los Angeles Chamber Orchestra.
An enthusiastic mentor to students and young musicians, Pintscher was Principal Conductor of the Lucerne Festival Academy Orchestra, and ran the Heidelberger Atelier, an academy for young musicians and composers, from 2005 to 2018. He has also worked with the Karajan Academy of the Berlin Philharmonic, New World Symphony, Music Academy of the West, National Orchestral Institute, and Junge Deutsche Philharmonie.
Pintscher is also well known as a composer, and his works have been performed by such orchestras as the Boston Symphony, Chicago Symphony, Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Berlin Philharmonic, London Symphony Orchestra, Royal Concertgebouw Orchestra, and the Orchestre de Paris, among many others. He has been on the composition faculty at Juilliard since 2014.
Matthias Pintscher is published exclusively by Bärenreiter, and recordings of his works can be found on Kairos, EMI, Teldec, Wergo, and Winter & Winter.
Cédric Tiberghien is a French pianist who has established a truly international career. He has been particularly applauded for his versatility, as demonstrated by his wide-ranging repertoire, interesting programming, an openness to explore innovative concert formats, and his dynamic chamber music partnerships.
Concerto appearances in the 2024–25 season include the Netherlands Radio Philharmonic, Detroit Symphony, Houston Symphony, Rundfunk-Sinfonieorchester Berlin, The Hallé, and Orchestre National de France, working with Simone Young, Matthias Pintscher, and Karina Canellakis, among others. Cédric has a long association with the Wigmore Hall in London, where he will conclude his three-season Beethoven cycle with the Diabelli Variations. Cédric also returns to Australia with his John Cage “sound sculpture” project, and gives recital tours of the United States, United Kingdom, and Japan with violinist Alina Ibragimova.
Highlights of the previous two seasons include Cédric’s performance of Messiaen’s Turangalila Symphony with both the Berliner Philharmoniker (Simone Young) and Orchestre National de France (Cristian Macelaru). Other recent collaborations have included the Boston Symphony, Cleveland, London Symphony, NDR Elbphilharmonie, Tokyo Philharmonic Orchestras, and at the BBC Proms with Les Siècles. His conductor collaborations include Karina Canellakis, Nicholas Collon, Stéphane Denève, Edward Gardner, Enrique Mazzola, Ludovic Morlot, Matthias Pintscher, François-Xavier Roth, and Simone Young.
Cédric’s most recent recording is volume two of a complete Beethoven variation cycle. Also released with Harmonia Mundi are the Ravel Concertos with Les Siècles/Roth, which has attracted superlative critical acclaim, including the accolade of Editor’s Choice in Gramophone Magazine. Cédric has previously recorded works by Bach, Beethoven, Brahms, and Debussy for Harmonia Mundi. He has received five Diapason d’Or awards, for his solo and duo recordings on Hyperion.
As a dedicated chamber musician, Cédric’s regular partners include violinist Alina Ibragimova, violist Antoine Tamestit, and baritone Stéphane Degout, with all of whom he has made several recordings as well as performed in concert. Cédric is a member of the Académie Musicale Philippe Jaroussky, where he teaches regularly.