Jul. 11 at Miller Outdoor Theatre
Beethoven 5 + Rachmaninoff
About This Concert
Settle in under the stars as the Symphony performs Beethoven’s legendary Fifth Symphony at Miller Outdoor Theatre. Heralded by the Philadelphia Inquirer as possessing “the multicolored highlights of a mature pianist,” Janice Carissa shines in Rachmaninoff’s diabolically difficult Rhapsody on a Theme of Paganini.
This concert is sponsored in part by the City of Houston through the Miller Theatre Advisory Board.
Tickets
Event Details & Ticket Information
This is a free event, but tickets may be required. For details on ticketing, location, parking, and more, Click Here.
Artists

Gonzalo Farias
conductor

Janice Carissa
piano
Sponsored by

Presenting Sponsor
Program
C. SIMON
Four Black American Dances
IV. Holy Dance: Mysteriously
RACHMANINOFF
Rhapsody on a Theme of Paganini, Opus 43
BEETHOVEN
Symphony No. 5 in C minor, Opus 67
I. Allegro con brio
II. Andante con moto
III. Allegro--
IV. Allegro
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Gonzalo Farias
conductor
Gonzalo Farias, Associate Conductor of the Houston Symphony, is an imaginative and engaging orchestral leader, award-winning pianist, and dedicated educator. Praised for his “clear, engaging style with a lyrical, almost Zen-like quality,” he is recognized as “a focused, musical artist who knows what he wants and how to get it—with grace and substance.”
He has held conducting posts with the Kansas City Symphony, Jacksonville Symphony, Virginia Symphony Orchestra, and the Baltimore Symphony Orchestra. As Music Director of the Joliet Symphony Orchestra, he strengthened community connections through innovative programming, pre-concert lectures, and bilingual collaborations, including a narrated performance of Bizet’s Carmen.
Recent and upcoming appearances include the Nashville Symphony, Lyric Opera of Chicago, Buffalo Philharmonic, Tallahassee Symphony, and the Houston Symphony, where in 2024 he conducted the world premiere of Arturo Márquez’s Guitar Concerto with Pablo Sainz-Villegas.
He was one of six conductors chosen for the prestigious Bruno Walter National Conductor Preview, presented by the League of American Orchestras, and was appointed by the National Endowment for the Arts as a grant review panelist.
Born in Santiago de Chile, Farias began piano studies at age five. He earned his bachelor’s degree at the Pontificia Universidad Católica de Chile and continued his education at the New England Conservatory, studying under Wha-Kyung Byun and Russell Sherman. He has won prizes at the Claudio Arrau International Piano Competition, Maria Canals, and Luis Sigall competitions. His conducting mentors include Donald Schleicher, Marin Alsop, Larry Rachleff, and Otto-Werner Mueller.
Beyond performance, Farias is committed to reimagining music as a force for personal growth, dialogue, cooperation, and community-building. His doctoral dissertation, Logical Predictions and Cybernetics, examines Cornelius Cardew’s The Great Learning to explore music-making as a self-organizing system. Influenced by Zen Buddhist practice and second-order cybernetics, he views music as a shared space where performers and audiences co-create meaning, reflecting on our shared human condition.


Janice Carissa
piano
A Gilmore Young Artist and winner of Salon de Virtuosi, Janice Carissa has “the multicolored highlights of a mature pianist” (Philadelphia Inquirer) and “strong, sure hands” (Voice of America) that “convey a vivid story rather than a mere showpiece” (Chicago Classical Review). Her artistry has been showcased at an array of renowned stages, including the Sydney Opera House, Carnegie Hall, the United Nations, the Kennedy Center, Jay Pritzker Pavilion in Millennium Park, and the Saratoga Performing Arts Center.
Following her Philadelphia Orchestra debut at age 16, Janice has since performed with the Orpheus Chamber Orchestra and the Pittsburgh, San Diego, Nashville, Kansas City, Delaware, Amarillo, Des Moines, Knoxville, and Jakarta symphonies, among others. Highlights of the 2025–26 season include concerto appearances with the Minnesota Orchestra, Houston Symphony, ProMusica Chamber Orchestra of Columbus, Jackson (MI) Symphony, and Florida Orchestra, as well as a solo recital at Pepperdine University and a duo with cellist Sterling Elliott for Capital Region Classical.
Janice’s passion for chamber music has led her to performances with Bravo! Vail where she was a piano fellow, the Brooklyn Chamber Music Society, and Jupiter Chamber Concert Series; collaborations with Vadim Gluzman, Miriam Fried, Paul Neuebauer, Lucy Shelton, Marcy Rosen, David Shifrin, Jennifer Cano, and Peter Wiley, among other distinguished musicians; and appearances at Marlboro, North Shore, Ravinia, Caramoor, and Kneisel Hall festivals.
Born in Indonesia, Janice left there in 2013 to enter the Curtis Institute of Music with a full scholarship from Gerry and Marguerite Lenfest, where she was a pupil of Gary Graffman. She went on to earn a Master of Music at The Juilliard School where she studied with Robert McDonald. When away from the piano, Janice is an avid foodie and loves going on strolls with her camera.