Sept. 27 & 28
Eschenbach Conducts Mozart & Bruckner
Flutist Stathis Karapanos and harpist Allegra Lilly shine in Mozart’s elegant Concerto for Flute and Harp, followed by Christoph Eschenbach conducting Bruckner’s grand Symphony No. 7.
About This Concert
Showcasing the artistry of flutist Stathis Karapanos and Houston Symphony Principal Harp Allegra Lilly, Mozart’s Concerto for Flute and Harp positively sparkles with delightful melodies and effervescent charm. From Mozart’s delicate grace, Christoph Eschenbach leads a foray into the vast, expansive sound-world of Bruckner’s stunning and immense Symphony No. 7.
Tickets
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Artists
Christoph Eschenbach
conductor
Allegra Lilly
harp
Stathis Karapanos
flute
Sponsored by
Gold Classics
Program
W.A. MOZART
Concerto for Flute and Harp, K. 299, C major
BRUCKNER
Symphony No. 7
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Christoph Eschenbach
conductor
This weekend, the Houston Symphony welcomes former Music Director Christoph Eschenbach back to Jones Hall for a special, double birthday celebration. Christoph served as the Houston Symphony’s Music Director from 1988 to 1999, a dynamic tenure that included tours to Europe and Japan as well as numerous recordings, several of which are now regarded as classics. Since then, he has held prestigious posts in Philadelphia, Washington, D.C, Paris, and Berlin and has remained a welcome and frequent guest in Houston. This year marks both Eschenbach’s 85th birthday and the 200thanniversary of the birth of Austrian composer Anton Bruckner, making this combination of conductor and repertoire especially timely. In recent years, Bruckner’s deep, mystical music has featured frequently in Christoph’s Houston programs, including a breathtaking interpretation of Bruckner’s Symphony No. 8 last season. This year, he also conducts the music of Bruckner in Bamberg, Berlin, and Seville with performances of his First, Third, and Fifth Symphonies respectively. For our concerts, he has chosen Bruckner’s Fourth. Premiered in Vienna in 1881, this popular work draws inspiration from the legendary realm of medieval knights and their adventures. Influenced by the operas of Wagner, Bruckner’s expansive symphonic architecture and innovative chromatic harmonies imbue his works with an epic, mythic quality that continues to entrance listeners, especially when interpreted by such a sympathetic and insightful conductor as Christoph Eschenbach. ©2024 Calvin Dotsey
Allegra Lilly
harp
Allegra Lilly was appointed Principal Harp of the Houston Symphony in February of 2023. She previously held the Principal Harp position with the St. Louis Symphony for ten seasons. She has appeared as Guest Principal Harp with the Chicago Symphony, Boston Symphony, Boston Pops, St. Paul Chamber Orchestra, Toronto Symphony, and Charlotte Symphony, and has also performed with the New York Philharmonic, Pittsburgh Symphony, and All-Star Orchestra.
Since making her solo debut at the age of twelve with the Detroit Symphony, Lilly has performed as soloist with the Lexington Philharmonic, Juilliard Orchestra, National Repertory Orchestra, International Symphony, Camerata Notturna, and numerous ensembles in New York and her home state of Michigan. During her tenure with the St. Louis Symphony, she appeared as soloist three times, performing Debussy’s Danses sacrée et profane, Mozart’s Concerto for Flute and Harp with flutist Mark Sparks, and Ginastera’s Harp Concerto. Her festival appearances have included Brevard Music Center, Grand Teton Music Festival, Arizona Musicfest, Tanglewood Music Center, Artosphere Festival, Spoleto Festival USA, Spoleto Festival dei Due Mondi, National Repertory Orchestra, and Castleton Festival. Lilly is an active chamber musician and has performed as a featured guest artist with the Chamber Music Festival of Lexington, Missouri Chamber Music Festival, Innsbrook Institute Music Festival, Missouri River Festival of the Arts, Argento New Music Project, and Carnegie Hall’s EnsembleConnect.
In addition to holding the harp faculty position at Brevard Music Center since 2017, Lilly has given masterclasses at many of the top conservatories and universities in the United States. She has also coached orchestral and chamber music for NYO-USA, NYO2, New World Symphony, Tanglewood Music Center, and the preparatory divisions of The Juilliard School and New England Conservatory. Born in Detroit, Lilly began her study of the harp with Ruth Myers at age seven. She was also a competitive pianist as a child, winning numerous state and local awards before electing to focus exclusively on the harp in college. She went on to join the studio of New York Philharmonic Principal Harpist Nancy Allen at The Juilliard School, where she earned Bachelor and Master of Music degrees.