HOUSTON, TX (September 11, 2024) —
In recognition of his outstanding work, the Houston Symphony has announced that Chilean conductor Gonzalo Farias has been elevated to the post of Associate Conductor beginning this month. His Houston Symphony duties include conducting the orchestra in various programs including Education, Family, Community, and Summer concerts, as well as covering for guest conductors. Performances he’s conducting this season include Fiesta Sinfónica, including the world premiere of Arturo Marquez’s Guitar Concerto; Hocus Pocus POPS; Holly Jolly Holiday; and Sherlock Holmes and the Case of the Missing Maestro.
“I’m absolutely thrilled to continue working and deepening my relationship with my Houston Symphony family,” said Farias. “Making music at the highest level with such outstanding musicians and administration is a dream come true. I’m so happy to be part of this world-class orchestra and expand our place as a cultural leader in Houston.”
About Gonzalo Farias
An engaging orchestral conductor, award-winning pianist, and passionate educator, Gonzalo Farias is the Associate Conductor of the Houston Symphony. In an ever-changing world, Gonzalo’s desire is to establish music-making as a way of rethinking our place in society by cultivating respect, trust, and cooperation among all people in our community.
Gonzalo Farias served previously as the Associate Conductor of the Kansas City Symphony, the Associate Conductor of the Jacksonville Symphony, the Assistant Conductor of the Virginia Symphony Orchestra, and Conducting Fellow at the Baltimore Symphony Orchestra. Praised by his “clear, engaging” style “with a lyrical, almost Zen-like quality”, Farias has been established “as a focused, musical artist who knows what he wants and how to get it – with grace and substance.” As former Music Director of the Joliet Symphony Orchestra, Farias embraced the city of Joliet and its Hispanic residents of the greater Chicago area with pre-concert lectures, Latin-based repertoire, and a unique side-by-side bilingual narration of Bizet’s Carmen.
Farias was recently selected to conduct at the esteemed Bruno Walter National Conductor Preview, the most important showcase for conductors in America. Designed by the League of American Orchestras, the National Conductor Preview chooses the most promising talents in the world for their podium gift and commitment to the future of American orchestras. Farias was also appointed by the National Endowment for the Arts as a reviewing member for the Grant for Art Projects, judging applications from diverse music institutions to support the latest and most important artistic endeavors in the US.
During the summers, Farias has worked with Jaap Van Zweden and Johannes Schlaefli at the Gstaad Menuhin Festival in Switzerland as well as with Neeme and Paavo Järvi at the Pärnu Music Festival. In the United States, he was a two-time recipient of the prestigious Bruno Walter Memorial Conducting Scholarship at the Cabrillo Music Festival and named “Emergent Conductor” by Victor Yampolsky at the Peninsula Music Festival. He also attended the Pierre Monteux Festival where he received the Bernard Osher Scholar Prize. Out of 566 applicants and 78 countries, he was chosen as one of 24 finalists in the prestigious 2018 Malko Conducting Competition with the Danish National Symphony Orchestra. Hailed by the Gramophone magazine critics, Farias offered one the “most fluent, honest, open-hearted and pointed performances”.
Farias was born in Santiago de Chile, where he began his piano studies at age five. He earned his bachelor’s degree at the P.C. University of Chile and then continued his graduate piano studies at the New England Conservatory as a full-scholarship student of Wha-Kyung Byun and Russell Sherman. He has won first prize at the Claudio Arrau International Piano Competition and awards at the Maria Canals and Luis Sigall Piano Competitions. As a conductor, Farias attended the University of Illinois working with Donald Schleicher, the Peabody Conservatory with Marin Alsop, and worked privately with Larry Rachleff and Otto-Werner Mueller.
Besides having a fond love for piano, chamber, and contemporary music, Farias is a passionate supporter of second-order cybernetics as a way to help understand communication and how complex systems organize, coordinate, and interconnect with one another. This includes the interdependent and recursive nature of musical experiences, in which performers and audiences alike interact, respond, and co-create each other’s space. His final Doctoral thesis “Logical Predictions and Cybernetics” explores the case of Cornelius Cardew’s “The Great Learning” to redefine music activity as a self-organized organization. In addition to that, he has a warm affection for his formal studies of Zen Buddhism, which has been a major influence on his approach to music and life.
About the Houston Symphony
Under Music Director Juraj Valčuha, the Houston Symphony continues its second century inspiring and engaging a large and diverse audience in Houston and beyond through exceptional musical performances, and creating enduring impact in the Houston community. One of the oldest performing arts organizations in Texas, the Symphony held its inaugural performance at The Majestic Theater in downtown Houston on June 21, 1913. Today, with an operating budget of $40.7 million, the full-time ensemble of professional musicians presents more than 130 concerts annually, making it the largest performing arts organization in Houston. Traditionally, musicians of the orchestra and the Symphony’s Community-Embedded Musicians also offer nearly 600 community-based performances each year at various schools, community centers, hospitals, senior centers, and churches, annually reaching nearly 200,000 people in Greater Houston in addition to Jones Hall.
After suspending concert activities in March 2020, the Symphony successfully completed a full 2020–21 season with in-person audiences and weekly livestreams of each performance, making it one of the only orchestras in the world to do so. The Houston Symphony remains committed to livestreaming its 2024-25 Season to a broad audience in over 45 countries and all 50 states, one of few American orchestras dedicated to transmitting live performances to a sizeable audience outside its home city through this technology. The Grammy Award-winning Houston Symphony has recorded under various prestigious labels, including Koch International Classics, Naxos, RCA Red Seal, Telarc, Virgin Classics, and, most recently, Dutch recording label Pentatone. In 2017, the Houston Symphony was awarded an ECHO Klassik award for the live recording of Alban Berg’s Wozzeck under the direction of former Music Director Hans Graf. The orchestra earned its first Grammy nomination and Grammy Award at the 60th annual ceremony for the same recording in the Best Opera Recording category. The Symphony’s most recent recordings include a Pentatone release in January 2022 of its world premiere performances of Jimmy López Bellido’s Aurora and Ad Astra, and a Naxos release in July 2023 of its world premiere performance of Jennifer Higdon’s Duo Duel.
MEDIA CONTACTS:
Eric Skelly: 713.337.8560, eric.skelly@houstonsymphony.org
Madison Mann: 832.930.4065 x120, madison@theckpgroup.com