An engaging orchestral conductor, award-winning pianist, and passionate educator, Gonzalo Farias is the Associate Conductor of the Houston Symphony. In an ever-changing world, Gonzaloโs desire is to establish music-making as a way of rethinking our place in society by cultivating respect, trust, and cooperation among all people in our community.
Gonzalo Farias served previously as the Associate Conductor of the Kansas City Symphony, the Associate Conductor of the Jacksonville Symphony, the Assistant Conductor of the Virginia Symphony Orchestra, and Conducting Fellow at the Baltimore Symphony Orchestra. Praised by his โclear, engagingโ style โwith a lyrical, almost Zen-like qualityโ, Farias has been established โas a focused, musical artist who knows what he wants and how to get it - with grace and substance.โ As former Music Director of the Joliet Symphony Orchestra, Farias embraced the city of Joliet and its Hispanic residents of the greater Chicago area with pre-concert lectures, Latin-based repertoire, and a unique side-by-side bilingual narration of Bizetโs Carmen.
Farias was recently selected to conduct at the esteemed Bruno Walter National Conductor Preview, the most important showcase for conductors in America. Designed by the League of American Orchestras, the National Conductor Preview chooses the most promising talents in the world for their podium gift and commitment to the future of American orchestras. Farias was also appointed by the National Endowment for the Arts as a reviewing member for the Grant for Art Projects, judging applications from diverse music institutions to support the latest and most important artistic endeavors in the US.
During the summers, Farias has worked with Jaap Van Zweden and Johannes Schlaefli at the Gstaad Menuhin Festival in Switzerland as well as with Neeme and Paavo Jรคrvi at the Pรคrnu Music Festival. In the United States, he was a two-time recipient of the prestigious Bruno Walter Memorial Conducting Scholarship at the Cabrillo Music Festival and named โEmergent Conductorโ by Victor Yampolsky at the Peninsula Music Festival. He also attended the Pierre Monteux Festival where he received the Bernard Osher Scholar Prize. Out of 566 applicants and 78 countries, he was chosen as one of 24 finalists in the prestigious 2018 Malko Conducting Competition with the Danish National Symphony Orchestra. Hailed by the Gramophone magazine critics, Farias offered one the โmost fluent, honest, open-hearted and pointed performancesโ.
Farias was born in Santiago de Chile, where he began his piano studies at age five. He earned his bachelorโs degree at the P.C. University of Chile and then continued his graduate piano studies at the New England Conservatory as a full-scholarship student of Wha-Kyung Byun and Russell Sherman. He has won first prize at the Claudio Arrau International Piano Competition and awards at the Maria Canals and Luis Sigall Piano Competitions. As a conductor, Farias attended the University of Illinois working with Donald Schleicher, the Peabody Conservatory with Marin Alsop, and worked privately with Larry Rachleff and Otto-Werner Mueller.
Besides having a fond love for piano, chamber, and contemporary music, Farias is a passionate supporter of second-order cybernetics as a way to help understand communication and how complex systems organize, coordinate, and interconnect with one another. This includes the interdependent and recursive nature of musical experiences, in which performers and audiences alike interact, respond, and co-create each otherโs space. His final Doctoral thesis โLogical Predictions and Cyberneticsโ explores the case of Cornelius Cardewโs โThe Great Learningโ to redefine music activity as a self-organized organization. In addition to that, he has a warm affection for his formal studies of Zen Buddhism, which has been a major influence on his approach to music and life.
