Jean Sibelius’ first musical instruction came in the form of piano lessons from his aunt Julia. Sibelius was a troublesome student, however; his habit of improvising instead of practicing his etudes would often earn him “raps across the knuckles.” He never really took to the piano. It was only as a teenager that he discovered … Continued
Principal Clarinet Mark Nuccio makes his solo debut with the Houston Symphony playing Mozart’s Clarinet Concerto. In this post he explains what makes this piece such a joy and a challenge to play. When I was asked which concerto I would like to present as my first to the Houston audience, I chose the Mozart … Continued
Though Mozart likely began composing his last piano concerto sometime in 1788, he would not complete it until January 1791; after composing the first two movements and 39 measures of the finale, he likely realized that his other recently written concertos would suffice for his upcoming performances and saved the unfinished work for later. The … Continued
On February 2, 1865, Johannes Brahms received an urgent telegram from his brother Fritz: “If you want to see our mother once again, come immediately.” At age 76 their mother, Christiane Brahms, had had a stroke. Brahms hastened to her from Vienna, but she had already passed away by the time he arrived in Hamburg. … Continued
Above: One of Nicholas Roerich’s original set designs for The Rite of Spring. After the failed revolution of 1905, a cloud of apocalyptic doom seemed to hover over the Russian Empire. With freedom of speech severely curtailed, many artists turned to increasingly subjective, mysterious sources of inspiration. Some, like the composer Alexander Scriabin, were captivated … Continued
Though he published it second, Chopin’s Piano Concerto in F minor was actually the first concerto he composed. After a surprisingly successful impromptu solo debut in Vienna, the nineteen-year-old composer returned home to Warsaw to compose a concerto that he could play on tours in the future. Chopin completed it during the fall of 1829 … Continued
According to his novelist friend Romain Rolland, Richard Strauss once quipped that “In music one can say everything. People won’t understand you.” Strauss’ characteristically humorous remark seems particularly applicable to Also sprach Zarathustra (Thus Spake Zarathustra), one of his best known yet most misunderstood works. Ever since Stanley Kubrick used it to score a cosmic … Continued
“For three hours I lived in a magic dream, intoxicated by fairies and princesses, by splendid palaces, streaming with gold, by the enchantment of fairy-tale…All my being was in cadence with those rhythms, with the radiant and fresh waves of beautiful melodies, already my friends.” Thus wrote the young artist Léon Bakst after attending the … Continued
In the summer of 1929, the conductor Serge Koussevitzky was making plans for the 50th anniversary season of the Boston Symphony, for which he served as music director. A champion of contemporary music, he decided to mark the occasion by commissioning a symphony from one of the world’s leading composers: Igor Stravinsky. Returning to the … Continued
Leonard Bernstein first read Auden’s The Age of Anxiety: A Baroque Eclogue in the summer of 1947, shortly after it was published. Auden’s extravagant, book-length poem would go on to win a Pulitzer Prize in 1948, but it began to stir Bernstein’s musical imagination immediately. Between 1947 and 1949, he would compose an unconventional symphony … Continued
In 1909, the Russian impresario Sergei Diaghilev was running out of time. After a grand duke who had been a key backer of his ventures dropped dead and his widow refused to give him any more money, Diaghilev had been forced to abandon his plans to present Russian opera in Paris in the spring of … Continued
Many have accused Bernstein of pretentiousness in associating his Serenade with Plato’s Symposium, suggesting that he merely tacked on the highfalutin subtitle after he had already composed it. Critics typically cite discrepancies between Plato’s classic and the Serenade, arguing that one has little to do with the other: compared with Plato’s book, the movements are … Continued
The Houston Symphony is excited to announce that the Dutch label Pentatone has released a new recording featuring Andrés Orozco-Estrada and the orchestra: Music of the Americas. Recorded over the course of two concert weekends in early 2017, the album brings together 20th century composers from North and South America with four lively, dance-inspired works, … Continued
This Valentine’s Day, you may be wondering how to let your Valentine know how you really feel. Here are five pieces of orchestral music guaranteed to help send the right message. Tchaikovsky’s Romeo and Juliet Fantasy Overture No list of romance-inducing classical music would be complete without Tchaikovsky’s Romeo and Juliet Fantasy Overture, which contains the … Continued
In January 1934, Dmitri Shostakovich scored one of the biggest triumphs of his career with the premiere of Lady Macbeth of the Mtsensk District, a work official critics hailed as the first great Soviet opera. Based on a nineteenth-century novella by Leskov, it follows the misadventures of Katerina, the illiterate wife of a well-to-do country … Continued
Culture wars, political dysfunction and rising ethnic tensions—these were the problems that plagued Austria-Hungary in the 1880s, and the Czech composer Antonín Dvořák would be caught in the cross-hairs. The immediate problems of the 1880s had deep roots, however; for centuries, Czech lands had been ruled by the Austrian Hapsburg monarchy, and Czech peoples were often relegated … Continued
Orchestra musicians love touring. The notion that the orchestra is building bridges, making connections, drawing together a diversity of people through music—while also enjoying ovations, sightseeing, history, and culture—make tours a memorable part of any musician’s career. For a while, every musician is removed from everyday concerns—laundry, dishes, what’s for dinner, traffic—and can really focus … Continued
February 2, 3 and 4, percussion rock star Colin Currie joins the Houston Symphony to perform American composer John Corigliano’s Conjurer for Percussion, Strings (and optional Brass). Who could provide a better introduction to this landmark percussion concerto than the composer himself? He did just that at a lecture at the University of British Columbia … Continued
Not long after the triumphant St. Petersburg premiere of Tchaikovsky’s Fourth Symphony in 1878, the composer received a letter from a woman who had recently become one of the most important people in his life. Nadezhda von Meck was the immensely wealthy widow of one of Russia’s first railroad magnates, and was an ardent admirer … Continued
Nancy Goodearl, a member of the Houston Symphony since 1981, received a Bachelor of Music degree in performance from the Eastman School of Music and a Master of Music degree in performance from Northwestern University. Since 1987, she has been a member of the Grand Teton Music Festival Orchestra in Jackson Hole, Wyoming. She has … Continued