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What the Flowers and the Animals Told Mahler in his Symphony No. 3

On May 30, 31 & June 1, the Houston Symphony closes its 2024–25 Season with a sonic wonder unlike anything else in music: Mahler’s Symphony No. 3.  Gustav Mahler’s Symphony No. 3 radiates dynamism, charm and eloquence, and it closes with one of the most glowing slow movements in the orchestral repertoire. But let’s be … Continued

Secrets of the Rhine: Brahms’ Symphony No. 3

In October 1883, Antonín Dvořák wrote to his publisher: “I was recently in Vienna, where I spent very fine days with Dr. Brahms, who had just come back from Wiesbaden,” a picturesque town on the Rhine river in Western Germany. The Czech composer, a good friend of Brahms, continued: “You know, of course, how very … Continued

Concertmaster Yoonshin Song on Astor Piazzolla’s Four Seasons

Next week, Concertmaster Yoonshin Song takes center stage in Astor Piazzolla’s show-stopping, tango-infused “Las Cuatro Estaciones Porteñas (Four Seasons of Buenos Aires)”—inspired by Vivaldi’s Four Seasons—in Mozart + Piazzolla, led by  Music Director Andrés Orozco-Estrada. We talked with Yoonshin ahead of her solo, discussing the music, her rehearsal approach, and working together with Orozco-Estrada again as he returns for the first time … Continued

Playing with Passion! Andrés Orozco-Estrada Visits Kinder HSPVA

Earlier this month, Music Director Andrés Orozco-Estrada paid his first visit to the new campus of Kinder High School for the Performing and Visual Arts, just a few blocks from Jones Hall in downtown Houston. “The energy that was in the room was so huge,” said Kinder HSPVA senior Nicholas Wesley, who plays viola. “His … Continued

Inside Bluebeard’s Castle: Bringing Bartók’s Masterpiece to Life

On May 16 and 17, the Houston Symphony presents a spectacular, semi-staged production of Bluebeard’s Castle featuring world-renowned singers Michelle DeYoung and Matthias Goerne. In this post, the production’s creative director, Adam Larsen, discusses his vision for Bartók’s fascinating operatic masterpiece. Get tickets and more information here. When we asked the musicians of the Houston Symphony which concerts … Continued

Texans in Colombia: Notes from Medellín

Above: Principal Double Bass Robin Kesselman works with a student from Medellín, Colombia during a special masterclass. Last week, 35 Houston Symphony musicians journeyed to Medellín, Colombia to help the Orquesta Filarmonica de Medellín celebrate the 31st anniversary of the Teatro Metropolitano José Gutiérrez Gómez with a concert featuring music director Andrés Orozco-Estrada and violinist Hilary Hahn. … Continued

A Light in the Darkness: Dvořák’s Stabat Mater

On August 21, 1875 the Dvořák family suffered a tragedy. The newest addition to the family, a daughter Josefa, passed away only two days after being born. Six months later, Antonín Dvořák began to set to music the Stabat Mater dolorosa, a Latin poem composed by Franciscans in the 13th century that meditates on the … Continued

On the Edge: Prokofiev’s Piano Concerto No. 2

On September 21, 22 and 23, 2018, world renowned piano virtuoso Yefim Bronfman returns to Houston to perform Prokofiev’s spellbinding Piano Concerto No. 2 with Music Director Andrés Orozco-Estrada and the Houston Symphony. Discover the dark backstory behind this fascinating masterpiece. Prokofiev composed his second piano concerto at the age of 21 while on winter … Continued

Highway to Hell: Ives’ Symphony No. 4, Part I

Though he would live several decades more, Charles Ives stopped composing entirely by 1927. Many have speculated as to why, but the ultimate reason for his silence remains a mystery. His last symphony was thus one of his final works. Begun around 1910, Ives labored over it for many years, refining and altering the score … Continued

Top 6 Musicians’ Picks of the 2018-19 Season

From Itzhak Perlman and Rhapsody in Blue to Home Alone with Live Orchestra and the artistry of Cirque de la Symphonie, our 2018–19 season boasts over 90 spectacular concerts. Which performances are the Houston Symphony musicians especially looking forward to? Read below for a few of their top picks! 1) Mahler’s Resurrection Symphony “I’m looking … Continued

Mozart’s Last Solo: The Piano Concerto No. 27

Though Mozart likely began composing his last piano concerto sometime in 1788, he would not complete it until January 1791; after composing the first two movements and 39 measures of the finale, he likely realized that his other recently written concertos would suffice for his upcoming performances and saved the unfinished work for later. The … Continued

A Human Requiem: Brahms’ German Requiem

On February 2, 1865, Johannes Brahms received an urgent telegram from his brother Fritz: “If you want to see our mother once again, come immediately.” At age 76 their mother, Christiane Brahms, had had a stroke. Brahms hastened to her from Vienna, but she had already passed away by the time he arrived in Hamburg. … Continued

Past Becomes Future: Stravinsky’s The Rite of Spring

Above: One of Nicholas Roerich’s original set designs for The Rite of Spring. After the failed revolution of 1905, a cloud of apocalyptic doom seemed to hover over the Russian Empire. With freedom of speech severely curtailed, many artists turned to increasingly subjective, mysterious sources of inspiration. Some, like the composer Alexander Scriabin, were captivated … Continued

Oh the Places We’ll Go: A Houston Symphony European Tour Itinerary

Led by Music Director Andrés Orozco-Estrada and joined by violin paragon Hilary Hahn, the Houston Symphony takes its talents to Europe March 9–March 19, 2018. One fantastic orchestra will tour eight illustrious cities and eight of the world’s most renowned concert halls and festivals. Klarafestival at BOZAR March 9 • Brussels, Belgium The Houston Symphony’s … Continued

A Greek Riddle: Bernstein’s Serenade (after Plato’s Symposium)

Many have accused Bernstein of pretentiousness in associating his Serenade with Plato’s Symposium, suggesting that he merely tacked on the highfalutin subtitle after he had already composed it. Critics typically cite discrepancies between Plato’s classic and the Serenade, arguing that one has little to do with the other: compared with Plato’s book, the movements are … Continued

New Recording: Music of the Americas

The Houston Symphony is excited to announce that the Dutch label Pentatone has released a new recording featuring Andrés Orozco-Estrada and the orchestra: Music of the Americas. Recorded over the course of two concert weekends in early 2017, the album brings together 20th century composers from North and South America with four lively, dance-inspired works, … Continued

Fighting the Barbarian Artist: Shostakovich’s Symphony No. 5

In January 1934, Dmitri Shostakovich scored one of the biggest triumphs of his career with the premiere of Lady Macbeth of the Mtsensk District, a work official critics hailed as the first great Soviet opera. Based on a nineteenth-century novella by Leskov, it follows the misadventures of Katerina, the illiterate wife of a well-to-do country … Continued

All About the Music: The Houston Symphony European Tour, Part I

Orchestra musicians love touring. The notion that the orchestra is building bridges, making connections, drawing together a diversity of people through music—while also enjoying ovations, sightseeing, history, and culture—make tours a memorable part of any musician’s career. For a while, every musician is removed from everyday concerns—laundry, dishes, what’s for dinner, traffic—and can really focus … Continued

Modern Times: Bartók’s Music for Strings, Percussion and Celesta

In 1934, the Swiss conductor Paul Sacher married Maja Stehlin, the widow who had inherited the Roche pharmaceutical fortune. Finding himself now one of the richest men in the world, Sacher poured his wealth into one of his greatest passions: new music. In 1926, Sacher had founded the Basle Chamber Orchestra, an ensemble dedicated to … Continued

Leonard Bernstein at 100: The Houston Symphony Celebrates

On the evening of November 13, 1943, the 25-year-old Leonard Bernstein was out celebrating the successful premiere of his first composition to appear before the New York public: I Hate Music, a charming, miniature song cycle about a child’s irreverent musings. After much carousing, Bernstein received a call informing him that the eminent conductor Bruno … Continued