Juraj Valčuha Music Director

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Poetry in Motion: Chopin’s Piano Concerto No. 2

Though he published it second, Chopin’s Piano Concerto in F minor was actually the first concerto he composed. After a surprisingly successful impromptu solo debut in Vienna, the nineteen-year-old composer returned home to Warsaw to compose a concerto that he could play on tours in the future. Chopin completed it during the fall of 1829 … Continued

That Existential Feeling: Strauss’ Thus Spake Zarathustra

According to his novelist friend Romain Rolland, Richard Strauss once quipped that “In music one can say everything. People won’t understand you.” Strauss’ characteristically humorous remark seems particularly applicable to Also sprach Zarathustra (Thus Spake Zarathustra), one of his best known yet most misunderstood works. Ever since Stanley Kubrick used it to score a cosmic … Continued

Everybody Dance Now: Tchaikovsky’s Sleeping Beauty

“For three hours I lived in a magic dream, intoxicated by fairies and princesses, by splendid palaces, streaming with gold, by the enchantment of fairy-tale…All my being was in cadence with those rhythms, with the radiant and fresh waves of beautiful melodies, already my friends.” Thus wrote the young artist Léon Bakst after attending the … Continued

Notes from Europe: Robin Kesselman, Principal Bass

The Houston Symphony just completed its triumphant 2018 European Tour! Get an insider’s view of the tour when Houston Symphony Principal Bass Robin Kesselman shares his experiences below. Hello everyone! I’m writing to bring you along with us on our final three tour stops. First up, the beautiful port city of blustery Hamburg, home to a brand … Continued

New Music & Old-Time Religion: Stravinsky’s Symphony of Psalms

In the summer of 1929, the conductor Serge Koussevitzky was making plans for the 50th anniversary season of the Boston Symphony, for which he served as music director. A champion of contemporary music, he decided to mark the occasion by commissioning a symphony from one of the world’s leading composers: Igor Stravinsky. Returning to the … Continued

Notes from Europe: Mark Nuccio, Principal Clarinet

The Houston Symphony just completed its triumphant 2018 European Tour! Get an insider’s view of the tour when Houston Symphony principal clarinet Mark Nuccio shares his experiences below. March 14 Our first day in Warsaw, Poland started off with an 11 a.m. rehearsal for two hours. We were preparing for the first tour performance of Shostakovich’s Symphony … Continued

The Age of Anxiety: Bernstein’s Symphony No. 2

Leonard Bernstein first read Auden’s The Age of Anxiety: A Baroque Eclogue in the summer of 1947, shortly after it was published. Auden’s extravagant, book-length poem would go on to win a Pulitzer Prize in 1948, but it began to stir Bernstein’s musical imagination immediately. Between 1947 and 1949, he would compose an unconventional symphony … Continued

Notes from Europe: Jonathan Fischer, Principal Oboe

The Houston Symphony’s 2018 European Tour is underway! Get an insider’s view of the tour when Houston Symphony principal oboe Jonathan Fischer shares his experiences below. After celebrating a terrific first concert in Brussels, we had an easy bus trip over to Essen, Germany, passing through a little corner of Holland on our way. Transporting the orchestra along … Continued

The Ultimate Russian Fairytale: Stravinsky’s The Firebird

In 1909, the Russian impresario Sergei Diaghilev was running out of time. After a grand duke who had been a key backer of his ventures dropped dead and his widow refused to give him any more money, Diaghilev had been forced to abandon his plans to present Russian opera in Paris in the spring of … Continued

A Greek Riddle: Bernstein’s Serenade (after Plato’s Symposium)

Many have accused Bernstein of pretentiousness in associating his Serenade with Plato’s Symposium, suggesting that he merely tacked on the highfalutin subtitle after he had already composed it. Critics typically cite discrepancies between Plato’s classic and the Serenade, arguing that one has little to do with the other: compared with Plato’s book, the movements are … Continued

New Recording: Music of the Americas

The Houston Symphony is excited to announce that the Dutch label Pentatone has released a new recording featuring Andrés Orozco-Estrada and the orchestra: Music of the Americas. Recorded over the course of two concert weekends in early 2017, the album brings together 20th century composers from North and South America with four lively, dance-inspired works, … Continued

Fall in love this Valentine’s Day. Here’s how.

This Valentine’s Day, you may be wondering how to let your Valentine know how you really feel. Here are five pieces of orchestral music guaranteed to help send the right message. Tchaikovsky’s Romeo and Juliet Fantasy Overture No list of romance-inducing classical music would be complete without Tchaikovsky’s Romeo and Juliet Fantasy Overture, which contains the … Continued

Fighting the Barbarian Artist: Shostakovich’s Symphony No. 5

In January 1934, Dmitri Shostakovich scored one of the biggest triumphs of his career with the premiere of Lady Macbeth of the Mtsensk District, a work official critics hailed as the first great Soviet opera. Based on a nineteenth-century novella by Leskov, it follows the misadventures of Katerina, the illiterate wife of a well-to-do country … Continued

New York, New York! Bernstein’s Three Dance Episodes from On the Town

The year following Leonard Bernstein’s legendary debut as a conductor with the New York Philharmonic was one of seemingly miraculous success for the 25-year-old musician. After filling in for an ailing Bruno Walter on November 14, 1943, he became one of America’s most sought-after guest conductors, and by April he was conducting the premiere of … Continued

Do You Hear the People Sing? Dvořák’s Symphony No. 7

Culture wars, political dysfunction and rising ethnic tensions—these were the problems that plagued Austria-Hungary in the 1880s, and the Czech composer Antonín Dvořák would be caught in the cross-hairs. The immediate problems of the 1880s had deep roots, however; for centuries, Czech lands had been ruled by the Austrian Hapsburg monarchy, and Czech peoples were often relegated … Continued

All About the Music: The Houston Symphony European Tour, Part I

Orchestra musicians love touring. The notion that the orchestra is building bridges, making connections, drawing together a diversity of people through music—while also enjoying ovations, sightseeing, history, and culture—make tours a memorable part of any musician’s career. For a while, every musician is removed from everyday concerns—laundry, dishes, what’s for dinner, traffic—and can really focus … Continued

Percussion Magician: John Corigliano’s Conjurer

February 2, 3 and 4, percussion rock star Colin Currie joins the Houston Symphony to perform American composer John Corigliano’s Conjurer for Percussion, Strings (and optional Brass). Who could provide a better introduction to this landmark percussion concerto than the composer himself? He did just that at a lecture at the University of British Columbia … Continued

A Battle with Fate: Tchaikovsky’s Symphony No. 4

Not long after the triumphant St. Petersburg premiere of Tchaikovsky’s Fourth Symphony in 1878, the composer received a letter from a woman who had recently become one of the most important people in his life. Nadezhda von Meck was the immensely wealthy widow of one of Russia’s first railroad magnates, and was an ardent admirer … Continued

Modern Times: Bartók’s Music for Strings, Percussion and Celesta

In 1934, the Swiss conductor Paul Sacher married Maja Stehlin, the widow who had inherited the Roche pharmaceutical fortune. Finding himself now one of the richest men in the world, Sacher poured his wealth into one of his greatest passions: new music. In 1926, Sacher had founded the Basle Chamber Orchestra, an ensemble dedicated to … Continued

Leonard Bernstein at 100: The Houston Symphony Celebrates

On the evening of November 13, 1943, the 25-year-old Leonard Bernstein was out celebrating the successful premiere of his first composition to appear before the New York public: I Hate Music, a charming, miniature song cycle about a child’s irreverent musings. After much carousing, Bernstein received a call informing him that the eminent conductor Bruno … Continued