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Concert Preview: The Seven Deadly Sins

This November, the Houston Symphony is mixing things up with The Seven Deadly Sins, a playfully provocative program put together by acclaimed guest conductor Bramwell Tovey. “Weill’s Seven Deadly Sins with Storm Large was our starting point,” Tovey explained. “Kurt Weill was a German-Jewish refugee who escaped the Nazis and eventually became a U.S. citizen. … Continued

5 Fun Facts: An American in Paris

How often does a piece of classical music inspire an Academy Award-winning Hollywood musical? If you can think of an example other than An American in Paris, please let us know. The Houston Symphony plays this classic film’s soundtrack live-to-picture on November 9, 10 and 11. Get ready for this spectacular presentation with these fun … Continued

Such stuff as dreams are made on: Tchaikovsky’s The Tempest

Above: Detail from John William Waterhouse’s Miranda–The Tempest. On October 26, 27 and 28, acclaimed guest conductor Fabien Gabel leads Tchaikovsky’s Violin Concerto, a program of musical storytelling featuring works by Tchaikovsky, Korngold and Bernard Herrmann. Learn more about Tchaikovsky’s The Tempest, a vivid tone poem inspired by Shakespeare’s famous play that will be featured on … Continued

Great Escape: Tchaikovsky’s Violin Concerto

On October 26, 27 and 28, acclaimed guest conductor Fabien Gabel leads Tchaikovsky’s Violin Concerto, featuring violinist Karen Gomyo. In this post, learn more about Tchaikovsky’s Romantic masterpiece and the surprising relationship that inspired it. Tchaikovsky wrote his Violin Concerto in March 1878 while staying amid the breathtaking mountains of Clarens, Switzerland on Lake Geneva. The … Continued

Houston Symphony Halloween Hijinks

As Halloween approaches, Houstonians across the city are stocking up on candy and getting their costumes ready. Many Houston Symphony musicians get especially excited about this gleefully ghoulish holiday. We asked them about their favorite costumes, ghost stories and music for Halloween. Here’s what they had to say. Robin Kesselman, principal double bass Is there … Continued

The Mozart of Hollywood: Korngold’s Suite from The Sea Hawk

On October 26, 27 and 28, acclaimed guest conductor Fabien Gabel leads Tchaikovsky’s Violin Concerto, a program of musical storytelling featuring works by Tchaikovsky, Korngold and Bernard Herrmann. Learn more about innovative film composer Erich Wolfgang Korngold and his swashbuckling Suite from The Sea Hawk, which concludes the program. Erich Wolfgang Korngold began his career as … Continued

Wolfgang’s Dark Side: Mozart’s Symphony No. 40 in G minor

On October 18, 20 and 21, legendary violinist Itzhak Perlman returns to the Houston Symphony for our Perlman Plays and Conducts program. In addition to performing Bach’s Violin Concerto in A minor, Perlman will also conduct Mozart’s powerful Symphony No. 40 in G minor. Learn more about this unsurpassed masterpiece in this post. Mozart composed his magnificent … Continued

Radical Romanticism: Schumann’s Symphony No. 4

On October 18, 20 and 21, legendary violinist Itzhak Perlman returns to the Houston Symphony for our Perlman Plays and Conducts program. In addition to performing Bach’s Violin Concerto in A minor, Perlman will also conduct Schumann’s Symphony No. 4. In this post, learn more Schumann and this fascinating work. Though Robert Schumann’s Symphony in D minor is … Continued

Texans in Colombia: Notes from Medellín

Above: Principal Double Bass Robin Kesselman works with a student from Medellín, Colombia during a special masterclass. Last week, 35 Houston Symphony musicians journeyed to Medellín, Colombia to help the Orquesta Filarmonica de Medellín celebrate the 31st anniversary of the Teatro Metropolitano José Gutiérrez Gómez with a concert featuring music director Andrés Orozco-Estrada and violinist Hilary Hahn. … Continued

Allegro Espresso: Bach’s Violin Concerto in A minor

On October 18, 20 and 21, legendary violinist Itzhak Perlman returns to the Houston Symphony to perform Bach’s exquisite Violin Concerto in A minor as part of our Perlman Plays and Conducts program. In this post, learn how this gem of the violin repertoire was preserved for posterity thanks to one special coffeehouse. The earliest … Continued

The Music of Suspense: Herrmann’s Vertigo Suite

Above: Image adapted from artwork by Saul Bass for the theatrical release poster of Vertigo. On October 26, 27 and 28, acclaimed guest conductor Fabien Gabel leads Tchaikovsky’s Violin Concerto, a program of musical storytelling featuring works by Tchaikovsky, Korngold and Bernard Herrmann. Learn more about innovative film composer Bernard Herrmann and his haunting Suite … Continued

Whistling in the Dark: Shostakovich’s Symphony No. 9

On September 21, 22 & 23, the Houston Symphony performs Shostakovich’s Symphony No. 9 as part of its Bronfman Plays Prokofiev program led by Music Director Andrés Orozco-Estrada. Learn more about this fascinating work in the post below. Like Prokofiev’s First Symphony, Shostakovich’s Ninth was written in a fateful year: 1945. It also subverted the … Continued

Can You Tell Me? Q&A with HANSON

On October 23, HANSON joins the Houston Symphony for HANSON STRING THEORY, a musical manifesto with new and career spanning works from HANSON. Get ready for the concert when Taylor, Isaac and Zac answer the questions below. Q: Last year, HANSON celebrated 25 years of playing music – what an achievement! What is one of your … Continued

A Light in the Darkness: Dvořák’s Stabat Mater

On August 21, 1875 the Dvořák family suffered a tragedy. The newest addition to the family, a daughter Josefa, passed away only two days after being born. Six months later, Antonín Dvořák began to set to music the Stabat Mater dolorosa, a Latin poem composed by Franciscans in the 13th century that meditates on the … Continued

On the Edge: Prokofiev’s Piano Concerto No. 2

On September 21, 22 and 23, 2018, world renowned piano virtuoso Yefim Bronfman returns to Houston to perform Prokofiev’s spellbinding Piano Concerto No. 2 with Music Director Andrés Orozco-Estrada and the Houston Symphony. Discover the dark backstory behind this fascinating masterpiece. Prokofiev composed his second piano concerto at the age of 21 while on winter … Continued

Highway to Hell: Ives’ Symphony No. 4, Part I

Though he would live several decades more, Charles Ives stopped composing entirely by 1927. Many have speculated as to why, but the ultimate reason for his silence remains a mystery. His last symphony was thus one of his final works. Begun around 1910, Ives labored over it for many years, refining and altering the score … Continued

Top 6 Musicians’ Picks of the 2018-19 Season

From Itzhak Perlman and Rhapsody in Blue to Home Alone with Live Orchestra and the artistry of Cirque de la Symphonie, our 2018–19 season boasts over 90 spectacular concerts. Which performances are the Houston Symphony musicians especially looking forward to? Read below for a few of their top picks! 1) Mahler’s Resurrection Symphony “I’m looking … Continued

Wherefore Art Thou, Prokofiev? Highlights from Romeo and Juliet

The Houston Symphony performs highlights from Prokofiev’s Romeo and Juliet as part of the Opening Night Concert of the orchestra’s 105th Season on Saturday, September 8, 2018. Learn more about this beloved ballet score in the post below. The commission for the ballet Romeo and Juliet in 1934 was part of the Soviet Union’s charm … Continued

A Musical Miracle: Ravel’s Concerto for the Left Hand

Piano virtuoso Yuja Wang plays solo works by Rachmaninoff and Ravel’s extraordinary Concerto for the Left Hand at the Opening Night Concert of the Houston Symphony’s 105th Season on Saturday, September 8 at Jones Hall. In this post, discover this fascinating masterpiece, which miraculously creates the sound of two hands while using only one. Less … Continued

Beethoven’s Fifth: The World’s Most Famous Symphony

Is it possible for a work of art to become too famous for its own good? Like Leonardo Da Vinci’s Mona Lisa or Shakespeare’s “To be or not to be” soliloquy, Beethoven’s Fifth is a work that has been so often reproduced, excerpted and remixed that it has become as easy to ignore a as … Continued