Jan. 23, 24 & 25
Marin Alsop Conducts Brahms 2
About This Concert
Conducting legend Marin Alsop unlocks the luminous jewel case that is Brahms’s Symphony No. 2: overflowing with gorgeous melodies that melt the heart, it ends with a triumphant burst of pure joy. Love is the unifying thread in Bernstein’s Serenade (After Plato’s “Symposium”), performed with dazzling virtuosity by Concertmaster Yoonshin Song. An all-American first half opens with Barber’s heartfelt Second Essay for Orchestra.

What To Expect?
An unforgettable performance of one of the most beloved symphonies of all time—Brahms’s pastoral Second Symphony overflows with gentleness, autumnal beauty, and golden-hued melodies.
Marin Alsop, a trailblazer and Grammy Award winner, brings her signature blend of clarity and emotional depth to this much-loved masterpiece.
An amazing violin performance spotlighting the Symphony’s Concertmaster
Musical sunshine: Escape the winter chill and immerse yourself in music of luminous beauty, poetry, and majesty
Program
BARBER
Second Essay for Orchestra
BERNSTEIN
Serenade (After Plato’s “Symposium”)
BRAHMS
Symphony No. 2
Tickets
In-Hall Tickets
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Friday, Jan. 23
7:30 P.M. at Jones Hall
Saturday, Jan. 24
7:30 P.M. at Jones Hall
Sunday, Jan. 25
2:00 P.M. at Jones Hall
Livestream Access
Saturday, Jan. 24
7:30 P.M. at Jones Hall

Your Music. Your Season. Your Way.
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Your Music. Your Season. Your Way.
Pick 3 or more concerts and enjoy big savings with our Pick Your Own Subscriptions. Choose your favorite performances — in-hall or livestream — and save up to 43%.
Click Here to Start Saving
Artists

Marin Alsop
conductor
View Biography

Yoonshin Song
First Violin
View Biography
Sponsors
Margaret Alkek Williams
Spotlight Series
Houston Symphony Endowment
Diamond Guarantor
Video enhancement of Houston Symphony concerts is made possible by the Albert & Ethel Herzstein Foundation through a special gift celebrating the foundation's 50th anniversary in 2015
Extras
Additional Information
Doors Open:
60 mins. pre-concert
Prelude:
60 mins. pre-concert
Duration
Approx. 120 mins
Intermission
20 mins.
Age Limit
Age 6+
Visitor Info
Parking and Directions
Learn More >In-Hall Experience
Learn More >Ticket Policies
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Concertmaster: Max Levine Chair
Yoonshin Song
First Violin
Yoonshin Song was appointed as Concertmaster of the Houston Symphony in August 2019. Prior to that she has held the same position with the Detroit Symphony Orchestra for seven seasons. In Europe, Yoonshin has served as guest concertmaster of the Budapest Festival Orchestra under Iván Fischer for several years, and she has led the Verbier Festival Chamber Orchestra under numerous top-tiered conductors, such as Sir Simon Rattle, Klaus Mäkelä, Daniel Harding, Mikhail Pletnev, and Antonio Pappano. She also served as guest concertmaster of the Pittsburgh Symphony Orchestra, the Finnish Radio Symphony Orchestra, and the KBS Symphony Orchestra.
Beyond her first chair duties, Yoonshin has performed as a soloist with many orchestras around the world, including the Houston Symphony, Budapest Festival Orchestra, the Detroit Symphony Orchestra, the Utah Symphony, the New Mexico Philharmonic Orchestra, the Bayreuth Festival Orchestra, the Paul Constantinescu Philharmonic Orchestra, the Seoul Philharmonic Orchestra, and the KBS Symphony Orchestra, among many others.
She has also participated as a soloist and a chamber musician in various roles in leading music festivals, including the ones in Verbier, Lucerne, Samos and Bayreuth in Europe, the Marlboro, Great Lakes, and Deer Valley in the United States.
Yoonshin has earned many prestigious prizes throughout her career, including top prize awards in the Lipizer International Violin Competition, the Lipinski and Wieniawski International Violin Competition, the Henry Marteau International Violin Competition, and first prize at the Stradivarius International Competition in the United States.
She studied under the tutelage of Donald Weilerstein at the New England Conservatory and with Robert Mann, Glenn Dicterow, and Lisa Kim at the Manhattan School of Music.