O Beautiful! “American Strings” Spans More Than a Century of Music

On November 20–22, Principal POPS Conductor Steven Reineke returns to Jones Hall for the next Bank of America POPS Series concert American Strings: From Folk to Film, a celebration of American music performed by the Houston Symphony strings section. The program boasts music as unique and varied as our nation—and here are just a few of … Continued

A Greek Riddle: Bernstein’s Serenade (after Plato’s Symposium)

Many have accused Bernstein of pretentiousness in associating his Serenade with Plato’s Symposium, suggesting that he merely tacked on the highfalutin subtitle after he had already composed it. Critics typically cite discrepancies between Plato’s classic and the Serenade, arguing that one has little to do with the other: compared with Plato’s book, the movements are … Continued

Percussion Magician: John Corigliano’s Conjurer

February 2, 3 and 4, percussion rock star Colin Currie joins the Houston Symphony to perform American composer John Corigliano’s Conjurer for Percussion, Strings (and optional Brass). Who could provide a better introduction to this landmark percussion concerto than the composer himself? He did just that at a lecture at the University of British Columbia … Continued

Sing Your Own Way: A Guide to Ives’ Symphony No. 3

After graduating from Yale in 1898, the young Charles Ives moved to New York City and took up residence with other recent graduates in a series of apartments, each of which was known affectionately as “Poverty Flat.” During the decade between his graduation and marriage, Ives would pursue two careers simultaneously: one as a church … Continued

Ives’ Symphony No. 2

In 1900, Charles Ives, the dean of American maverick composers, set out to compose his second symphony some ten years after he had finished his first, a work he wrote strictly in a traditional European style as demanded by his professor, Horatio Parker, in order to complete his undergraduate music degree at Yale. This time, … Continued

John Corigliano’s New STOMP

The first classical concert of our 2015-16 season features the world premiere of John Corigliano’s STOMP. One of America’s most important composers, John continues to add to one of the richest, most unusual and most widely celebrated bodies of work any composer has created over the last 40 years. His numerous scores—including three symphonies and eight concerti … Continued