Jun. 26 & 27
Harry Potter and the Order of the Phoenix™ in Concert
About This Concert
Year Five begins! Between crushing on Cho Chang, studying for his O.W.L.s, and the ever-growing number of detentions from Professor Umbridge™, Harry Potter™ must find the time to discover the secret of his terrible nightmares! See Harry Potter and the Order of the Phoenix™ in Concert presented in HD on a giant screen and accompanied by a live symphony orchestra!
All characters and elements © & ™ Warner Bros. Entertainment Inc. Publishing Rights © JKR.
Program
N. HOOPER
Harry Potter and the Order of the Phoenix
- Part 1
- Part 2
Tickets
In-Hall Tickets
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Friday, Jun. 26
7:30 P.M. at Jones Hall
Saturday, Jun. 27
2:00 P.M. at Jones Hall
Artists

Brett Mitchell
conductor
View Biography
Sponsors
Underwriter
Video enhancement of Houston Symphony concerts is made possible by the Albert & Ethel Herzstein Foundation through a special gift celebrating the foundation's 50th anniversary in 2015
Extras
Additional Information
Doors Open:
60 mins. pre-concert
Prelude:
No Prelude
Duration
Approx. 120 mins
Intermission
20 mins.
Age Limit
Age 6+
Tags:
Visitor Info
Parking and Directions
Learn More >In-Hall Experience
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conductor
Brett Mitchell
Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, American conductor Brett Mitchell currently serves as Music Director of the Pasadena Symphony and Artistic Director and Conductor of Oregon’s Sunriver Music Festival.
He previously served as Music Director of the Colorado Symphony (2017–21), Associate Conductor of The Cleveland Orchestra (2013–17), and Assistant Conductor of the Houston Symphony (2007–11) and Orchestre National de France (2006–09).
In May 2025, with less than 24 hours’ notice, Mitchell stepped in for his subscription debut with the New York Philharmonic, leading three performances of Kevin Puts’s The Brightness of Light featuring soprano Renée Fleming, followed by the complete score of Ravel’s Daphnis et Chloé featuring the New York Philharmonic Chorus.
Working widely as a guest conductor, Mitchell has made appearances with the Dallas, Detroit, Edmonton, Fort Worth, Houston, Indianapolis, Milwaukee, National, North Carolina, Oregon, Pasadena, San Antonio, San Francisco, and Vancouver symphonies; the Los Angeles Philharmonic at the Hollywood Bowl; the Cleveland and Minnesota orchestras; the Rochester Philharmonic Orchestra; the Saint Paul Chamber Orchestra; the Grant Park Festival Orchestra; and a two-week tour with the New Zealand Symphony Orchestra.
Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Itzhak Perlman, Kirill Gerstein, Conrad Tao, Rudolf Buchbinder, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein.
Born in Seattle, Mitchell holds degrees in conducting from the University of Texas at Austin and composition from Western Washington University. His two principal professional mentors were Kurt Masur and Lorin Maazel.