HOUSTON (March 22, 2018) – Houston Symphony Principal POPS Conductor Steven Reineke welcomes back Grammy Award-winning trumpeter Chris Botti for the jazz-inspired program Chris Botti Returns on March 24 at 8 p.m. and March 25 at 2:30 p.m. and 7:30 p.m. in Jones Hall.
Known for playing with a uniquely expressive sound and love for romantic melodies, Botti and his electrifying band members perform a program full of exquisite music led by Reineke. The program includes music from the romantic war film One Minute To Zero and Casino Royale from the 1967 James Bond 007 film. Plus, Botti is set to perform selections from his Grammy-nominated album Italia.
“This is a program for not just hardcore jazz fans, but any fans of great music and great musicians,” said Reineke. “Every member of Chris’ band is so incredible that it’s hard to know where to even put your eyes on or who to watch at what time. It’s great fun!”
The concert will take place at Jones Hall for the Performing Arts, 615 Louisiana Street, in Houston’s Theater District. For tickets and information, please call (713) 224-7575 or visit houstonsymphony.org. Tickets may also be purchased at the Houston Symphony Patron Services Center in Jones Hall (Monday–Saturday from 10 a.m. to 6 p.m.). All programs and artists are subject to change.
CHRIS BOTTI RETURNS
Saturday, March 24, 2018, at 8 p.m.
Sunday, March 25, 2018, at 2:30 p.m.
Sunday, March 25, 2018, at 7:30 p.m.
Steven Reineke, conductor
Chris Botti, trumpet
Lee Pearson, drums
Reggie Hamilton, bass
Leonardo Amuedo, guitar
Eldar Djangirov, piano
Sy Smith, vocalist
Rafael Moras, vocalist
Caroline Campbell, violin
About Steven Reineke
Steven Reineke has established himself as one of North America’s leading conductors of popular music. In addition to being Principal POPS Conductor at the Houston Symphony, Steven is the music director of The New York Pops at Carnegie Hall, principal pops conductor of the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts and principal pops conductor of the Toronto Symphony Orchestra. He previously held the posts of principal pops conductor of the Long Beach and Modesto Symphony Orchestras and associate conductor of the Cincinnati Pops Orchestra.
Steven is a frequent guest conductor with The Philadelphia Orchestra and has been on the podium with the Boston Pops Orchestra, The Cleveland Orchestra and the Chicago Symphony Orchestra at Ravinia. His extensive North American conducting appearances include San Francisco, Seattle, Edmonton, Pittsburgh, Vancouver, Ottawa (National Arts Centre), Detroit, Milwaukee and Calgary.
On stage, Steven has created programs and collaborated with a range of leading artists from the worlds of hip hop, Broadway, television and rock, including Common, Kendrick Lamar, Nas, Sutton Foster, Megan Hilty, Cheyenne Jackson, Wayne Brady, Peter Frampton and Ben Folds, among others. In 2017, he was featured on National Public Radio’s All Things Considered leading the National Symphony Orchestra—in a first for the show’s 45-year history—performing live music excerpts between news segments.
As the creator of more than 100 orchestral arrangements for the Cincinnati Pops Orchestra, Steven’s work has been performed worldwide and can be heard on numerous Cincinnati Pops Orchestra recordings on the Telarc label. His symphonic works Celebration Fanfare, The Legend of Sleepy Hollow and Casey at the Bat are performed frequently in North America, including performances by the New York Philharmonic and Los Angeles Philharmonic. His Sun Valley Festival Fanfare was used to commemorate the Sun Valley Summer Symphony’s pavilion, and his Festival Te Deum and Swan’s Island Sojourn were debuted by the Cincinnati Symphony and Cincinnati Pops Orchestras. His numerous wind ensemble compositions are published by the C.L. Barnhouse Company and are performed by concert bands worldwide.
A native of Ohio, Steven is a graduate of Miami University of Ohio, where he earned Bachelor of Music degrees with honors in both trumpet performance and music composition. He currently resides in New York City with his husband, Eric Gabbard.
About Chris Botti
Chris Botti Expresses His Love For Romantic Melodies From Across the World On His Grammy Winning Sony CD, “Impressions.”
Playing with his uniquely expressive sound and soaring musical imagination, trumpeter Chris Botti is joined by featured artists Andrea Bocelli, Vince Gill, Herbie Hancock, Mark Knopfler, David Foster and Caroline Campbell in a warm, intimate celebration of melodic balladry.
Impressions, trumpeter Chris Botti’s new Sony CD, is the latest in a stellar parade of albums — starting with 2004’s When I Fall In Love and continuing with To Love Again, Italia and the CD/DVD Chris Botti In Boston — that have firmly established him as the world’s largest selling jazz instrumentalist. Add to that a Grammy for “Best Pop Instrumental Album” and four #1 albums on Billboard’s Jazz Albums listings.
As Botti began his planning for the new album, he was determined to do some “familiar songs” for Impressions, songs that reached back to his fascination with the melody and balladry that have been essential to his music since he first picked up a trumpet.
Songs such as “What A Wonderful World,’ “Summertime” and “Over the Rainbow” certainly fulfill that desire. But the album’s far-ranging program also encompasses many other areas, deeply influenced by conversations Botti had with fans during the busy, world-wide touring that keeps him on the road as much as 300 days a year.
“People kept mentioning Chris Botti In Boston,” he recalls. “They loved the music in that program. But they talked a lot about the variety among the performers, too – Yo Yo Ma, Steven Tyler, Sting, John Mayer, Josh Groban.”
Unlike the Boston album, however, Impressions was planned as a studio recording rather than a concert performance. So Botti and his manager/producer Bobby Colomby, put together a wish list of possible guest artists. The game plan: to match the variety in music and performers present in Chris Botti In Boston. But to do so in a very different way. At the top of the wish list, the legendary rocker from the band Dire Straits, Mark Knopfler.
“We had the idea,” says Botti, “of asking Mark to sing ‘What A Wonderful World.’ How much more different could we get than that?”
When Knopfler, who rarely sings songs by other writers, agreed to do the tune, the first important piece of the album was in place. Others quickly followed, some from unlikely sources.
Botti had been commissioned to do his version of Chopin’s Prelude No. 20 in C minor, and perform it in Warsaw for the 200th anniversary of the composer’s birth. Always intrigued by the opportunity to take a classical work and, as he explains it, “play with the time, move things around,” Botti accepted the commission. “And I immediately realized,” he adds, “that Prelude could be the starting point for Impressions, as well.
Another serendipitous event – a concert at the White House – added a completely unexpected composition to the program. After Botti performed with pianist Herbie Hancock at the event, a state dinner for the President of China, Colomby suggested they compose a piece together. An afternoon of free improvising at Hancock’s house resulted in Tango Suite. And Hancock’s presence as a guest on the album.
A similar afternoon of creative compatibility – this time between Botti and pianist/composer/producer David Foster, with lyrics by Tiziano Ferro – produced “Per Te.” Sung by the incomparable tenor of Andrea Bocelli, it already sounds like a classic.
Country star Vince Gill, doing Randy Newman’s “Losing You,” was another of the album’s featured artists, his conversational, story-telling style adding more of the variety that Botti and Colomby were slowly accumulating for the album.
At the suggestion of arranger Mendoza, Colomby brought Brazilian guitarist Leonardo Amuedo to the studio, a further vital element was added. “We’d heard a lot of other guitar players, and liked everything they did,” says Botti. “But as soon as we heard Leo, we just started replacing all the guitar parts we’d already recorded. His beautiful, nylon classic Spanish guitar sound is all over this record.” And especially present in Brazilian songwriter Ivan Lins’ lovely “Setembro,” the soaring lines of Rodrigo’s “En Aranjuez Con Tu Amor,” “Over the Rainbow” and the contemplative Botti/Amuedo duet interpretation of R. Kelly’s “You Are Not Alone,” a hit for Michael Jackson.
Three other pieces brought more of the variety Botti was seeking. “Oblivion” is an Astor Piazolla tango, originally written for a chamber ensemble, here a romantic vehicle for Botti’s trumpet. “Sevdah,” with its cinematic Eastern European qualities and dramatic choral climax offers yet another hue to Impressions’ many musical colors. And “Contigo en La Distancia” adds the rich sensuality of a Cuban bolero.
As the songs began to accumulate, producer Colomby insisted on maintaining an open-minded receptivity, eager to allow the creative process leeway to produce the best possible results.. ‘His attitude,” says Botti, “was that it would be okay to record 19 songs even if we only used 13. That’s the way it turned out, and it was the right way to do it.”
Botti seemed destined to become a musician — and even to become the kind of musician he is today — almost from the very beginning. Born in Portland, Oregon, he was encouraged to pursue music by his mother, a concert pianist. He also had an early taste of the international world that would become his primary territory as a successful performing artist. His father, who is Italian, taught English and Italian languages, and he took the family to live in Italy for several years, beginning when Botti was in the first grade.
“I was speaking fluent Italian before we came back,” he recalls. “But, sadly, I’ve forgotten most of it.” That he still feels a firm connection with his Italian roots, however, was fully manifest in the title song he composed, with David Foster, for the album, Italia.
A different, but equally significant connection took place when Botti was twelve, and he heard Miles Davis play “My Funny Valentine.” The impact it had not only persuaded him to make a life time commitment to the trumpet, it also launched the affection for melody, space and balance that have been intrinsic aspects of Botti’s musical vision.
After attending Indiana University, and studying with the highly regarded jazz educator David Baker, the great trumpet teacher Bill Adam, jazz trumpeter Woody Shaw and jazz saxophonist George Coleman, he moved to New York in the mid-‘80s.
His early career was spent crafting his skills in settings reaching from the Buddy Rich Big Band and Frank Sinatra to Natalie Cole and Joni Mitchell. Throughout the ‘90s and into the new century, Botti played extensively with Paul Simon, and had an especially creative association with Sting.
Those gigs – and those relationships – were, he says, powerful learning experiences.
“Watching artists like Sting and Paul and Joni Mitchell,” explains Botti, “how they get in and out of songs, how they introduce people, whether they would do this or that sort of thing, what they would say about one of their players. All that was a huge asset for me. I wouldn’t be the performer I am today without that background.”
Now a major artist in his own right, performing worldwide, selling more than three million albums, he has found a form of creative expression that begins in jazz and expands beyond the limits of any single genre. With Impressions and the albums that preceded it, Chris Botti has thoroughly established himself as one of the important, innovative figures of the contemporary music world.
About the Houston Symphony
During the 2017-18 season, the Houston Symphony celebrates its fourth season with Music Director Andrés Orozco- Estrada and continues its second century as one of America’s leading orchestras with a full complement of concert, community, education, touring and recording activities. The Houston Symphony, one of the oldest performing arts organizations in Texas, held its inaugural performance at The Majestic Theater in downtown Houston June 21, 1913. Today, with an annual operating budget of $33.9 million, the full-time ensemble of 88 professional musicians presents nearly 170 concerts annually, making it the largest performing arts organization in Houston. Additionally, musicians of the orchestra and the Symphony’s four Community-Embedded Musicians offer over 900 community-based performances each year, reaching thousands of people in Greater Houston.
The Grammy Award-winning Houston Symphony has recorded under various prestigious labels, including Naxos, Koch International Classics, Telarc, RCA Red Seal, Virgin Classics and, most recently, Dutch recording label Pentatone. In 2017, the Houston Symphony was awarded an ECHO Klassik award for the live recording of Alban Berg’s Wozzeck under the direction of former Music Director Hans Graf. The orchestra earned its first Grammy nomination and Grammy Award at the 60th annual ceremony for the same recording in the Best Opera Recording category.
For tickets and more information, please visit houstonsymphony.org or call 713-224-7575.
MEDIA CONTACT:
Vanessa Astros: (713) 337-8560, vanessa.astros@houstonsymphony.org
Mireya Reyna: (713) 337-8557, mireya.reyna@houstonsymphony.org
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